17th Century Spanish Oil on Copper Religious Painting w/ Giltwood Frame

19th Century Spanish Orientalist Framed Oil on Canvas Painting Measurements with frame: 61.5x72.5x4cm.

Beautiful oil on canvas with four protagonists, the Virgin breastfeeding baby Jesus with St. Joseph and a young St. John the Baptist. Typical 17th century composition with the secondary characters in the background. Relined canvas and original gold leaf gilded frame...

1980s Spanish oil on canvas birds paintings with bamboo frame. Frame measurements: 96 x 66 x 2.5cm.

1980s Spanish oil on canvas birds paintings with bamboo frame. Frame measurements: 95 x 68.5 x 2.5cm.

1980s Spanish oil on canvas birds paintings with bamboo frame. Frame measurements: 99 x 67.5 x 2.5cm.

Antique early 19th century Spanish Andalusian oil on canvas portrait painting. Dimensions with frame: 94x81x4cm.

A wonderful 17th century oil on copper painting from the Catalan region of Spain housed in a beautiful frame of painted wood. The painting depicts a saint or a religious man...

19th century framed oil on copper painting "The Ascension of Mary" continental school. Unsigned.  

17th century Spanish Colonial Peruvian painting. Cusco school, oil on wooden panel depicting “Saint George and the Dragon” with intricate 19th Century car...

Italian old master painting, 17th century, oil on canvas. Good condition Measures: H. 54 W. 43 cm H. 21.2 W. 16.9 in.

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

17th century Portrait of Saint Paul Measures: Oil on oval canvas, 67 x 50 cm - with frame 81 x 64 cm The portrait examined here depicts the Apostl...