Australian Aboriginal Painting by Emily Kame Kngwarreye

Entitled "My Country", this bold and abstract landscape painting was by renowned Australian aboriginal artist Kudditji Kngwarreye (1928-2017). Acrylic painting on canvas, it was painted in 2012 and signed and inscribed on verso. The saturated colors and the visible brush strokes and intentionally uneven earth-like textures invokes the view of a landscape, partially real, partially imaginary. Kudditji Kngwarreye from the Utopia community in the Northern Territory. He was the skin brother of the late Emily Kame Kngwarreye and like his skin sister Emily, was one of the most prominent and successful artists in the history of contemporary indigenous Australian...

A striking painting by famed Australian aboriginal artist Minnie Pwerle depicting her country "Awelyewe- Atnwengerrp". Intense colors, subtle hues transition and strong composition m...

Australian Aboriginal Painting "Bush Yam Dreaming" by Evelyn Pultara. Beautiful bright color strokes depicting the traditional aborigin...

An aboriginal contemporary painting by Australian artist Ningie Nangala (born 1938-). The colorful canvas depicts the artist's ancestral country called...

A large aboriginal painting by Ningura Napurrula (1938-2013). Title: "Rockhole Site of Wirrulnga" Artists: Ningura Napurrula (Australian Aboriginal, c.1938-2013) Birthplace: Watul...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

Contemporary Abstract Expressionist drip painting by Tampa artist, Emily Tan. The copper and sage paint ignites the plywood surface with cosmic energy. It’s as if Tan has captured the essence of the “Big Bang...

Modern School (20th/21st c.), triptych, one part painted on foil, mounted on wood, the others possibly paper mounted on wood, verso of blocks marked "11" and "1, 2 and 3". Describ...

A beautiful natural pigment painting on canvas by renowned Aboriginal painter Mabel Juli. This piece is a dreaming story. Glingennayn is the name of the Ngarranggarni (Dreaming ) rainbow. In the Ngarranggarni the rainbow was a man. As he climbed this hill, Glingennayn heard a dog barking and turned his head around to see where the dog was. He is still there on that hill, looking for the dog. The texture created by the natural earth pigment is typical of the ancient heritage of this remarkable art movement. Mabel Juli is one of the most dedicated and iconic of all Warmun artists. Her seniority and status as one of Australia’s most revered painters has emerged from a consistent and growing body of work characterized by bold yet simple compositions that are informed by nuanced and detailed stories passed onto Mabel from her family. Mabel Juli was born at Five Mile, near Moola Boola Station (south of Warmun), and was taken as a baby to Springvale Station, her mother's country. Mabel's' bush name' is Wiringgoon. She is a strong Law and Culture woman and an important ceremonial singer and dancer. Juli started painting in the 1980s, at the same time as well-known Warmun artists Queenie McKenzie and Madigan Thomas. The women used to watch Rover Thomas...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Landscape painting by Hungarian Painter, Ofkja. Goache on cardboard. References: Modern and Contemporary Art, Fauvism, Color Theory.

Theatrical figures Tempera painting by Dana Gilbert.