2010s Paintings
31
496
483
to
60
492
398
979
903
942
313
67
12
3
3
3
2
1
1,336
3,584
12,713
2,919
1,787
4,821
3,970
188
126
331
533
445
757
1,180
1,125
723
526
Height
to
Width
to
417
360
310
267
241
448
407
349
98
75
20
15
15
14
12
Period: 2010s
Contemporary painting of rosy shades that references the lily ponds of Monet
By Jessica Zoob
Located in London, GB
'Pale Blue Day' by British artist Jessica Zoob is light and airy, a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of life, there i...
Category
British Organic Modern 2010s Paintings
Materials
Paint
Contemporary impressionistic painting in deep hues with bursts of vivid color
By Jessica Zoob
Located in London, GB
'Flower Filled Water' by British artist Jessica Zoob is evocative of Asia where she has spent so much of her time in recent years. It also pays homage to Monet...
Category
British Organic Modern 2010s Paintings
Materials
Paint
Mixed Media Painting by Steven Colucci- My eyes on you
By Andrzej Galek
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
'Contemporary impressionistic painting capturing the Sussex Downs in winter
By Jessica Zoob
Located in London, GB
'A Wish To Build A Dream On' by British artist Jessica Zoob offers a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of life, there ...
Category
British Organic Modern 2010s Paintings
Materials
Paint
Huge contemporary impressionistic triptych with flashes of color on milky ground
By Jessica Zoob
Located in London, GB
'Whirlwind Triptych' by British artist Jessica Zoob is a monumental work by the artist, with each painting measuring H120cm x W90cm. It has an invigorating and dynamic energy that is...
Category
British Organic Modern 2010s Paintings
Materials
Paint
Untitled, Wall Painting by Spanish Artist Federico Miró, Spain, 2022
Located in Madrid, ES
UNTITLED, Wall painting by Spanish artist Federico Miró, from the series THE TRUTH IS ANOTHER, Acrylic on canvas.
Federico is a young artist who, in his meticulous work, reflect...
Category
Spanish 2010s Paintings
Materials
Canvas, Acrylic, Paint
Abstract Oil Painting by French Artist Hortense Reynaud
Located in Los Angeles, CA
Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...
Category
French 2010s Paintings
Materials
Plexiglass, Oak, Paint, Paper
Mixed Media Painting by Steven Colucci- Two Men
By Jeff Koons
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
OTR Plate 015 Symmetry Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
Small Contemporary Naive Painting of Chestnut Horse Matted and Framed
Located in Morristown, NJ
A small and engaging contemporary painting of a chestnut horse in a pastoral setting. The colors in this unsigned painting are fresh and vibrant. The...
Category
American Modern 2010s Paintings
Materials
Glass, Wood, Paint, Paper
OTR Plate 006 Floats Like An Obelisk Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
"Adam and Eves" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Adam and Eves, 54” X 52”, Oil on Canvas
MIRA PARK BIOGRAPHY
Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...
Category
North American 2010s Paintings
Materials
Paint
Wall Decor Handcrafted Painting on Wood Panel by Arijian Chrysanthemum 03
Located in Namyangju-si, KR
Wall Decor handcrafted mother of pearl Chrysanthemum painting on wood panel by Arijian.
Category
South Korean 2010s Paintings
Materials
Wood
"Adam and Eve II" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Adam and Eve II, 50” X 48”, Oil on Canvas
MIRA PARK BIOGRAPHY
Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...
Category
North American 2010s Paintings
Materials
Paint
Xevi Solà Oil Painting, circa 2020, Spain
Located in Girona, Spain
Xevi Solà Oil Painting.
Very decorative
Oil Painting called “Jereth”.
Signed. 2020, Spain.
Excellent Condition.
Xevi Solà is a Spanish artist. His e...
Category
Spanish Modern 2010s Paintings
Materials
Paint
"Tree II" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Tree II, 52” X 62”, Oil on Canvas
MIRA PARK BIOGRAPHY
Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companie...
Category
North American 2010s Paintings
Materials
Paint
Flower by Caroline Rennequin 2021 Gouache on Handmade Indian Paper
Located in Santa Gertrudis, Baleares
In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette.
Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious.
This work has been shown for the first time in October 2021 at Galeria Tambien...
Category
French Other 2010s Paintings
Materials
Plywood, Parchment Paper
OTR Plate 009 Weapons Deep in the Vaccum Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book on the rock published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 014 Maelstrom Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
Abstract Oil Painting by French Artist Hortense Reynaud
Located in Los Angeles, CA
Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...
Category
French 2010s Paintings
Materials
Oak, Paint, Paper, Plexiglass
"Eve" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Eve, 34” X 56”, Oil on Canvas Painting
MIRA PARK BIOGRAPHY
Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from compani...
Category
North American 2010s Paintings
Materials
Paint
Tintin and Snowy in Amilcar, Vinc
Located in Saint ouen, FR
Tintin and snowy in Amilcar - Vinc
Technique: acrylic, posca and automotive varnish
Aluminium signpost
Possibility to put it outside
Dimensions: Ø47xP3cm
2022
Price : 390...
Category
2010s Paintings
Materials
Iron
OTR Plate 007 Fluorescent Epileptic Rays Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
"Personalities" Artwork by Mauro Oliveira
Located in Los Angeles, CA
"Personalities" artwork by Mauro Oliveira.
3.000+ paper rolls made of magazines pages and covers!
One of a kind 3-dimensional pieces on which everyone is cemented for life:from Hollywood stars...
Category
American Modern 2010s Paintings
Materials
Paper
OTR Plate 011 the Sandy Wind Licks His Eyes French Inhale Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book On the Rock published by Montez press in 2016. The plates are a collaboration between the founders of figure ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
Original Modern Contemporary Red and White Painting in Antique Gilt Frame
Located in Houston, TX
Original Modern Contemporary acrylic painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...
Category
American Modern 2010s Paintings
Materials
Wood, Giltwood, Paint
My eyes on you -Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied.
Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin.
If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity.
Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.”
As our bodies, like the sea, are largely water, Colucci’s water visions...
Category
2010s Paintings
Materials
Acrylic
OTR Plate 003 Swaying in Developer Chemicals Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral.
Each plate is related to a scene and some lines from the book.
Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...
Category
American Modern 2010s Paintings
Materials
Aluminum
Mixed Media Painting by Steven Colucci, Sea Series
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School
of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest
as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that
denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one
who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
Wonderful Folk aRT / outsider art Oil on Board painting by Charles Moore
Located in Buffalo, NY
Wonderful Folk aRT / outsider art Oil on Board painting by Charles Moore ."Tattoo Legs" .Western nEW yORK aRTIST,,
Category
American Folk Art 2010s Paintings
Materials
Paint
OTR Plate 010 French Inhale Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 002 Grey Targets Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
Adrian Contemporary Abstract Painting on Wood, 2017
Located in Barcelona, Barcelona
Contemporary abstract painting by Adrian.
Untitled.
Mixed-media on wood.
We offer free worldwide shipping for this piece.
Hand signed and dated on the back.
Category
Spanish Mid-Century Modern 2010s Paintings
Materials
Wood
OTR Plate 001 Classic Black Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Classic Black showing a collage of the interior of
the Seagram's build in the perspective style of Mies Van Der Rohe. Each plate is related to a scene and some lines from the book.
Plate 001: CLASSIC BLACK "The floor is smooth as a Japanese sharpening rock, a composite of volcanic ash...
Category
American Modern 2010s Paintings
Materials
Aluminum
Abstract Painting on Canvas by Ben Hanisch, 2022
Located in Chicago, IL
Abstract by Ben Hanisch (b.1986)
Painted in 2022.
Measures: 50” x 40”
Acrylic on canvas, painted edges, stretched on wood stretcher bars.
Category
American 2010s Paintings
Materials
Canvas, Acrylic
Helen Allois Signed Original Oil on Canvas Painting Disappearances 8, 2015
Located in Studio City, CA
A beautiful original oil on canvas painting by German-born American artist Helen Allois (who artistically simply goes by Allois). This work titled "Disapp...
Category
American Modern 2010s Paintings
Materials
Canvas, Paint
"Concept, " a Large Multi-Colored Abstract Painting by Kathi Robinson Frank
Located in New York, NY
"Concept," 2022 is a large abstract acrylic, oil featuring deep violets, yellow ochres, and metallic gold on a white ground tinged with pale blue. In addition, the artist incorporated touches of orange, forest green and maroon together with web-like ink drawn forms to achieve light and dark and depth.
New York City born Kathi Robinson Frank...
Category
American Modern 2010s Paintings
Materials
Acrylic, Paint
"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (1380-18) - One of a Kind.
Abstract painting created in 2018 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
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Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Wood, Paint, Paper
Contemporary Mixed Media by Hymn of Silence 'Layers of Earth"
Located in Vosselaar, BE
Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...
Category
Belgian 2010s Paintings
Materials
Paint, Ceramic, Hemp
Handcrafted Landscape Painting on Wood Panel by Arijian
By Arijian
Located in Namyangju-si, KR
Landscape painting with mother-of-pearl inlay by Arijian.
Category
South Korean 2010s Paintings
Materials
Wood
Trout Collection Original Oil Paintings by Greg Parker
By Greg Parker
Located in Coeur d'Alene, ID
Oil on canvas; 12" x 24" each. Set of four trout still life on rocky beach - brown trout, rainbow trout, brook trout and cutthroat. North Idaho artist. Gre...
Category
American 2010s Paintings
Materials
Paint
Oil on Canvas Painting by Virginie Gaillet
Located in Bois-Colombes, FR
Very nice painting showing an old African woman
by Virginie Gaillet.
Category
French 2010s Paintings
Materials
Acrylic
Craig Allen Abstract Nude Figurative Painting Titled "Echo"
By Craig Alan
Located in Miami, FL
Craig Allen Abstract Nude Figurative Painting Titled "Echo"
Offered for sale is an abstract nude figurative painting on canvas titled "Echo. The painting ...
Category
American Modern 2010s Paintings
Materials
Canvas, Acrylic, Wood
The Unseen Dimensions of Consciousness
By John Brevard
Located in Coral Gables, FL
In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
"Fantastical Realms: a Nondual Landscape"
By John Brevard
Located in Coral Gables, FL
"Fantastical Realms: A Nondual Landscape" is a breathtaking painting that captures the wonder and magic of a world beyond the boundaries of reality. The scene is bathed in a soft, et...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
The Multidimensional Mind
By John Brevard
Located in Coral Gables, FL
In this painting by John Brevard, the theme of the work is nonduality, illustrating the concept that all things are interconnected and inseparable.
At the center of the painting, th...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
Ethereal Journey
Located in Coral Gables, FL
In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...
Category
Spanish 2010s Paintings
Materials
Canvas, Acrylic
Cosmic Explorer
By John Brevard
Located in Coral Gables, FL
In this painting, the viewer is transported to a world beyond the boundaries of the material world. At the center of the painting, we see a female ethereal character, with a transluc...
Category
Spanish Space Age 2010s Paintings
Materials
Cane, Acrylic
"Variation (1119-12)" Abstract Painting by Pascal & Annie LENIAU, French Artists
Located in Paris, FR
Variation (1119-12) - One of a Kind.
Abstract painting created in 2012 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
---
Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Paint, Paper, Wood
Japan Oil Abstract Paintings T3 Resistance T4 Persistence Tetsuro Shimizu, 2011
Located in MIlano, IT
Japan Oil abstract paintings T3 Resistance and T4 Persistence Tetsuro Shimizu, 2011
Pair of abstract paintings titled T3 Resistance and ...
Category
Japanese Post-Modern 2010s Paintings
Materials
Wood, Canvas
21st Century Abstract Painting ”Lusso”
Located in Los Angeles, CA
About the artist: Dor Saraf is an international abstract artist known for the unconventional style and technique that he has developed. He is known for combining special materials with touches of metallic colors, and mixed textures. Saraf is an autodidact artist with a B.A degree in social sciences and special-needs education. His artworks are inspired and motivated by optimistic energies, positive natural colors, and the artist's emotional connection to the human soul. As an artist, he is committed to creating powerful paintings that bring style, optimism, and character to any space.
-Size:
200/80
180/65
150/50
-condition: new, excellent quality.
-Style: modern, abstract, Design
- texture original artwork Hand-Painted acrylic Paintings of the Artist.
-Each piece comes signed by the artist.
-Framed in an internal wooden frame, ready to hang
Choice:
Hanging horizontally / hanging vertically.
Category
Modern 2010s Paintings
Materials
Gold Leaf
Brussels Tapestry Wallpaper Mural
Located in Staunton, VA
Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....
Category
American Chinoiserie 2010s Paintings
Materials
Silk, Paper
Contemporary Oil on Canvas from the Swedish West Coast
Located in Los Angeles, CA
Karin Elmlund, born in 1974, is from the tiny island of Tjörn on the west coast outside Gothenburg, Sweden. Tjörn has a rich arts and crafts culture; this, combined with being on an ...
Category
European 2010s Paintings
Materials
Canvas
Wall Decor Landscape Painting on Wood Panel by Arijian
By Arijian
Located in Namyangju-si, KR
Landscape Painting with Mother-of-Pearl inlay by Arijian.
Category
South Korean 2010s Paintings
Materials
Wood
André Ferrand, Cadillac Drawing “Back to Never”
Located in Saint ouen, FR
André Ferrand.
Cadillac dessine "retour vers jamais"
Measures: 100x50
2022
Price : 980€ for the artist.
Category
French 2010s Paintings
Materials
Paper
"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (2170-19) - One of a Kind.
Abstract painting created in 2019 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
---
Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Wood, Paint, Paper
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