Complete Set of “Three Aquatints”, Prints by Robert Mangold

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

Yellow curled figure a silkscreen by Robert Mangold. Produced by Pace Editions, New York, 2002. Signed and Numbered 10/10 in pencil. Full sheet. 29 3/8" X 36" Framed using acid free ...

A Robert Mangold etching titled "Frame and Elipses". Produced in 1988, signed and numbered in pencil 37/50. Framed in 12-karat white gold frame using all archival acid free materials...

A pair of Richard Anuszkiewicz Intaglio etching with aquatint on somerset. Signed and numbered in pencil. Archivally framed in 12-karat white gold frames using acid free archival mat...

" Flux de L' Aimant " drypoint & color aquatint on BFK Rives paper by Joan Miro; circa 1964. Signed lower right, and numbered 20/75, lower left, in pencil. Published by Maeght Editeu...

A lithograph titled, "Elegy ( Study )" by Robert Motherwell 1979, signed and numbered 42/98 in pencil with Motherwell's blind stamp. There were 12 artist proofs in addition to the 98...

This set of elegantly framed cyanotype prints were created by Artist Sarah L. Morton in 2021. Sarah is an alternative process & abstract artist from Atlanta, GA. All prints are cyano...

A breathtaking, large in scope and scale, rivetting work by American abstract expressionist painter, and master printmaker Robert Motherwell (1915-1991). This aquatint/lift ground ...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Set of three Itzchak Tarkay serigraphs of nudes. Each By Itzchak Tarkay who was born in 1935 at the Yugoslav-Hungarian border all are finely f...

Set of 4 signed abstract intaglio prints by Kazuko Watanabe, framed. Signed in pencil by the artist and numbered 16/30, 19/20, 7/10, 9/10. Kazuko Watanabe is a graduate of the San...