Dance Pose 6 by Victor Klauss Pencil Signed Modernist Giclee Nude Framed

"Sound of Moon' by Roy Fairchild-Woodard A colorful hand signed limited edition serigraph featuring dancing figures/muses #210/465 Roy Fairchild-Wo...

Buckingham Crest Etching on canvas by Liz Jardine, circa 1992. A large format art with an amazing frame. Features a heraldic crest or shield at the center ...

Leopard by Mark King. Expressionist serigraph on paper, signed lower right. Limited edition. Mark King, British (1931) Mark King was born in Bombay, India to British parents in 1931. King’s childhood was one of exotic experience and privileged education. After graduating from La Martiniére College in Calcutta, the sixteen-year-old King sailed to England to attend Bournemouth College of Art. There he studied painting, sculpture, architecture and theatre design. Subsequently, he spent seven years as the resident scenic designer at the Oxford Playhouse Theatre. In 1961, he decided to concentrate on painting, and he moved to Paris, where he studied at the École des Beaux-Arts and the Louvre. It was there that he developed his impressionistic style, influenced by the wealth of examples of European masters. Mark King describes his approach to painting as ninety percent preparation. “It takes a great deal of time for me but once I begin, I work with great impetus, with immense bursts of energy. It is not until the last ten or fifteen minutes before completion that I am able to see where the painting is going and to catch the mood of the moment.” Change has played an important role in both King’s art and life. “I have a need, artistically, for exposure to new ideas and images,” he says, and it was this need that brought him to America in 1968, a move that prompted a shift in his working methods. A landscape painter in France, King began to expand his subject matter to include sports. With his work as a sports artist King found the camera an indispensable tool, and began to work from photographs. Since coming to America...

Artist: Jay Bolotin, Georgia Nold, Mark Patsfall Graphics Title: Limbus Fatu’ orum: Map of a Mechanical Opera Date: 1992, 8/25 Woodcut tryptich pr...

Joel Otterson - The Mighty Oak of Rock, 1993. Etching, 4/35 from the Cincinnati portfolio II published by Mark Patsfall Graphics. A good etching of a ful...

La Melodie Acide Suite by Joan Miro (Includes Certificate of Appraisal) Original suite of 14 lithographs in excellent condition, professionally framed in high gloss black with woven mat...

Box framed geometric print by Victor Vasarely, signed. Original brushed stainless steel frame.

Great example of Vasarely's 'Gestalt" series optical illusion print technique. Color-shaded grids give the appearance of nested 3D cubes; but the dimensionality of each cube breaks d...

Exceptional framed/signed print by Barbara A Wood. Subject is two nude girls walking side by side in the forest.   

Exceptional vintage signed and framed lithograph by Sam Briss. Features a surreal depiction of a nude woman with birds.   

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...