Framed Pre-Columbian Textile Fragment from Chancay Culture

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

Two pre-Columbian textile fragments presented in wood frames. Handwoven in colored yarn, possibly camelid fibers, these pieces were from Inca period circa 15-16th century. One panel is a classic Inca weave that was likely part of a mantle or cape. It has a multi-panel design with eight-point stars alternating with stylized animal and homomorphic figures, steps-design and abstract scrolling patterns. The second one features a multiple stripe design also with eight-point star and a mysterious figure sandwiched between stripes of geometrical patterns and plain borders. Presenting in a thin gilt wood and a carved dark wood frame...

A nicely framed fragment of antique Pre-Columbian textile that depicts a stylized figure in a geometrical background. Linen backing. The original is l...

Large, rectangular section of loosely woven cotton in an open, net pattern weave. Bears three complete selvedges and has 12 square sections, each containing a horned animal with curled tail surrounded by a meandering, geometric border. Excellent condition. Backed on black cotton. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after visiting Peru. Her comprehensive collection was formed in Europe and exhibited in various museums including Ancient Peruvian...

Chancay Painted Textile with Brown Fishes and Dots On Vertical Bands. Even though the piece is incomplete, the powerful design resembles an abstract modern painting by Henry Matisse...

Magnificent Pre-Columbian multi-color Chancay textile with animal figures in cubist form. The Chancay are known more for their textiles than for their ceramics. Textiles from elite Chancay tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre...

Impressive pre-columbian Lambayeque textile ceremonial panel. Lambayeque, Peru. Mint condition. Museum piece. Ex. Sotheby’s, New York. The Lambayeque civilization (aka Sicán) flou...

A white gauze, triangular panel decorated with a wide band composed of four zoomorphs with curled tails. Upper and lower border having a geometric pattern with upper triangular portion with zoomorphs. Overall excellent condition. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after...

A large, rectangular panel composed of a large diamond pattern grid, each grid contains a stylized human figure with arms raised. A few very minor imperfections, overall excellent condition. Backed and stretched on a brown linen, it has been stabilized and sealed in a very thick and rigid plexiglass. Estate of Miss Kate Kemper, London. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after...