Antique Gold Italian Renaissance Cameo Ring

Ring with Renaissance cameo Probably Northern Italy, cameo late 16th-early 17th century; ring: second half 18th century Gold, sardonyx cameo (layered...

RENAISSANCE CAMEO RING Italy, cameo: second half of 16th century in a late 18th century ring Gold, agate , black enamel Weight 6.3 gr.; bezel 18.8 x 16.9 x 6.5 mm.; circumference 58.4 mm.; US size 8¾; UK size R Cameo of a nude female bust...

Renaissance Ring Western Europe, likely Italy, mid-16th c. Gold and traces of black and white enamel Bezel 15 x 3 x 4 mm.; circumference 42 mm.; weight 2.7 gr.; US size 2 ¼; UK size ...

RENAISSANCE MARRIAGE PORTRAIT CAMEO IN MODERN GOLD SETTING Italy (?), 16th-17th century White agate, modern gold setting Weight: 10.8 g.; circumference: 54.4 mm.; size: US 7, UK N ½ Substantial rounded D-section hoop, narrowing at the base supports an oblong collet set with a white agate cameo. The cameo features a female bust behind a male bust in profile facing to the viewer’s left. The man has a curly beard, wears a fillet in his closely cropped hair, and wears a draped toga; the woman is less well defined and wears a palla. Both portraits have flat features. The carving has a metallic quality to its lines which enhances the sheen of the stone. The cameo is in excellent condition; the mount is modern. The Renaissance welcomed a revival in the ancient art of gem carving and cameos achieved renewed popularity. Important patrons, like the Medici, employed artists and goldsmiths to make dozens of beautiful examples that harkened back to antiquity and displayed current fashions. Double portraits of a man and woman, as with this ring, are called marriage portraits. They take their form from cameos of Roman rulers, mythological lovers, and citizen couples. Literature This couple could be a sixteenth-century copy of an ancient gem or it could represent a Renaissnce couple in the guise of a Roman couple. The features do not point to any well-known couples. A double portrait cameo in the Royal Collection (RCIN 65861) provides a nice comparison to this ring and is from the same period. For an ancient example of the double portrait cameo see the Metropolitan Museum’s Germanicus and Agrippina (39.22.18) cameo. Another comparison, see the Bibliothèque Nationale, Paris (a 17th-century cameo with the double portrait of a couple in a three-layered agate, published in Babelon, 1897, n. 1019). For general information on Renaissance cameos...

Renaissance Cameo Of Galba (?) in Modern Gold Setting Europe, 17th (?) century Onyx and gold Weight: 10.2 g.; circumference: 51.8 mm.; size: US 6, UK...

Fede ring Western Europe, 16th - 17th century Gold Weight 3.8 gr; Circumference 61.64 mm; US size 9 3/4; UK Size T ¼ A delightful, sculpturesque Fede ring conveying love and loyalty Plain gold hoop...

An elegant Roman Carnelian Cameo Ring crafted in 18k yellow gold. Epoca Impero, Early 19th Century. Ring size: US 5.5

Cameo depicting Alessandro de' Medici, known as (IL Moro or 'The Moor'), c. 16th - 17th century, in later gold ring mount, cameo 2.0cm high, ring size 7

Antique Victorian ring featuring a beautiful carved face from a apricot and white shell. The Lady has a a delicate beaded necklace on. The ring is set in 9ct gold ring. Cameo jewellery became very popular in the early 19th century cameos features Roman women. Victorian women...

A chic yellow gold ring featuring a carved coral cameo of a gentleman’s profile. Circa late nineteenth century. Made in Italy.

18Kt gold ring set with a cameo on lavender chalcedony stylizing a profile of a man with a waving beard, the setting on five wires and openwork hearts. Top size is 23mm x 21mm Finger...

18Kt gold ring set with a cameo on bloodstone stylizing an emperor's head with a laurel wreath, the basket with twisted threads. Finger size : 8 Top size is 21mm x 16mm Weight : 7,9 g