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1950's Ceil Chapman Metallic-Gold & Ivory Silk Asymmetric Draped Evening Gown

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    The vibrant rainbow-stripe used on this ivory silk rayon 1930's "Cartwright" designer dress ensemble has a whimsical allure that I find irresistible. The sleeveless bodice has a flir...
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  • Vintage 1970's Jean Varon Green Graphic Floral Print Pleated Tiered Halter Dress
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  • Vintage 1967 Courreges Numbered Couture Brown Silk Mod Belted Space-Age Dress
    By André Courrèges, Courrèges
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    Andre Courreges launched his Space-Age collection in 1964. The shapes of his clothes were geometric: squares, trapezoids, triangles. The main features of his ultra-modern, uncluttere...
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  • Vintage 1970's Halston Couture Red Metallic Sheer Knit Long-Sleeve Dress Gown
    By Halston
    Located in Beverly Hills, CA
    Gorgeous Halston Couture metallic lurex knit dress ensemble dating back to the mid 1970's. Throughout most of the seventies he epitomized the glamour, as well as the decadence of the...
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  • Vintage 1958 Jean Desses Haute-Couture Metallic Lame Abstract Print Dress & Coat
    By Jean Dessès
    Located in Beverly Hills, CA
    Jean Desses couture garments are rare, unique and highly collectible. This exquisite ensemble dates back to when Jean Desses closed his couture house at 17, Avenue Matignon and conti...
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  • Vintage 1950's Worth Couture Shocking Pink Floral Print Silk Shawl-Collar Dress
    By House of Worth
    Located in Beverly Hills, CA
    This gorgeous House of Worth haute couture cocktail ensemble, dating back to the early 1950-52 time period, is in a class of its own. The House of Worth was an elite French...
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    With the original hand-sewn off-white unbranded rectangular label of Paris-based Maison Martin Margiela, this asymmetrical plunging v-neck black jersey pullover gown was designed in 1994 by Belgium fashion-designer-cum-artist Martin Margiela. In his early deconstruction style, it partly appears to be a ruched halter dress that is positioned on a bias to add curves to shape the waist, while its open overlapping wrap skirt enables ample draping on one side that conceals a high slit from the waist down. Recalling the construction found in two of Martin Margiela's seminal collections--both the upcycled-split 1950s ballgowns of Spring/Summer 1991 and the draped "Stockman" garments of Spring/Summer 1997--this stretch-viscose dress is likewise a bodice with a split skirt, while its 3/4-length sleeves can recall Margiela's famous "shouldered arm bands" if worn with protruding breasts fully exposed. The top has a wide deep gapping chest or back, along with the option to position the looped "halter" cord that hangs from the torso in one of several ways by pulling over the head. For example, if the dress is worn "backwards" with the brand label resting on the upper chest, the cord from the ruching that is positioned in back can be pulled overhead and under the arms, which can secure the front shoulders of the top by pulling the loop overhead again in the other direction to rest on the back of the neck--like the Martin Margiela Spring/Summer 1997 "Stockman evening dress" in the museum collection of TheMet (see our pic of its smaller open-front black halter and half skirt with the neck strap worn this way.) No doubt the buyer will try more creative ways, too! You may be inspired by our other listing for arguably one of Martin Margiela's best Artisanal Line 0 pieces--a couture body harness--that, like his fashion manifesto, enables endless repurposing of button-down tops to create a plunging v-neckline with a distinct rolled collar. The Italian-size 42 dress...
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  • Balenciaga NicolasGhesquiere SilkFlowerPrint StructuredShortSleeve BiasCutDress
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  • Christian Dior by John Galliano yellow graffiti-print silk dress, ss 2003
    By John Galliano for Christian Dior, Christian Dior
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  • Valentino US 8 Navy Lace Midi Dress
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  • 1990s Louis Feraud Black Cerimony Floral Velvet Vintage Long Dress
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