Gucci Cream Silk Wrap Blouse w. Tie at Hip, Sz. 40 EU
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Gucci Cream Silk Wrap Blouse w. Tie at Hip, Sz. 40 EU
About the Item
Measurements:
Bust: 36"
Length: 24"
Sleeve: 11"
Shoulder to Shoulder: 16"
This Gucci blouse is available to be viewed privately in our Beverly Hills boutique couture salon during business hours. Please telephone us with any questions or if you wish to set up a private appointment to view it personally.
Please feel free to contact us directly by phone or email to make any offers or purchases. We accept all major credit cards or Paypal. We offer layaway options for your convenience.
Our Beverly Hills Boutique is open Monday - Friday (11am-7pm) and Saturday (11am-6pm) PST. (310) 385-9036
Only serious inquiries please.
Please feel free to contact us anytime should you be looking for a special vintage designer piece and we will be delighted to review our current inventory for you and should we not have it then we will be delighted to place your name on a wish list for the future.
310 849-2433
Elizabeth Mason
The Paper Bag Princess, Inc.
Please note: All sales are final, so please be sure to ask all the necessary questions prior to your purchase. All inquires must be addressed within 24 hours of receiving a purchased item.
- Designer:
- Dimensions:Length: 24 in (60.96 cm)Marked Size: 40 (EU)Bust: 36 in (91.44 cm)
- Place of Origin:
- Period:
- Material Notes:Silk
- Condition:Excellent.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: AU12012448899
Gucci
Long before trend-bucking creative director Alessandro Michele brought his hallucinatory “Utopian Fantasy” campaign to Gucci, it was a modest Italian leather shop. Today, it’s an internationally renowned luxury house with an iconic logo, and vintage Gucci clothing, handbags and shoes are among high fashion's most covetable goods.
Guccio Gucci (1881–1953) admired the stylish suitcases he saw wealthy guests arrive with at the Savoy Hotel in London, where he worked as a bellhop. So, in 1921, after a stint at Franzi, a luggage company in his hometown of Florence, he opened a leather goods shop of his own.
At first, Gucci’s Florence business specialized in equestrian accessories. But as its reputation flourished, particularly among the English aristocracy, so too did its footprint. In 1938, he brought three of his sons — Aldo, Vasco and Rodolfo — into the business and expanded it to Rome and later Milan. In the mid-1930s, a League of Nations embargo against Italy pushed Gucci to experiment with alternatives to imported leather. Its woven hemp fabric from Naples, adorned with the brand’s signature diamond print, was a hit, especially among A-list celebrities. The material was first used on suitcases before finding enduring popularity on handbags. (No list of revered designer purses would be complete without Gucci.)
In the 1950s, Elizabeth Taylor carried one of Gucci’s bamboo-handled tote bags, another adaptation to material rationing. After Jackie Kennedy was seen sporting a slouchy Gucci tote in 1961, it was renamed for the First Lady. Then Grace Kelly, on a visit to the boutique in Milan, inspired Rodolfo Gucci to work with Italian illustrator and Gucci textile designer Vittorio Accornero on the Flora print in 1966. Taking cues from Sandro Botticelli’s Primavera, with its pattern of flora and insects, it was painted entirely by hand and featured no fewer than 37 colors.
In 1953, just 15 days after opening his first store on New York’s 5th Avenue, Guccio passed away at 72. The early 1970s saw store openings in Tokyo and Hong Kong, but by the late 1980s, Gucci was floundering. Rodolfo Gucci took charge in 1982, but family drama and lawsuits ensued. In 1993, Rodolfo’s son, Maurizio, transferred his shares in the company to Investcorp, ending the family’s involvement in Gucci. Dawn Mello, then-president of Bergdorf Goodman, joined as creative director in 1989. But it was Tom Ford, who took over as creative director in 1994, who ultimately revived the brand.
Ford’s racy ads, shot by photographers such as Mario Testino, stirred controversy. And his potent vision of sexed-up femininity — with “jewel-toned satin shirts unbuttoned to there,” as Vogue described his breakthrough 1995 runway show — was wildly successful. The new millennium brought new ownership — Pinault Printemps Redoute in 2004 — and a more toned-down vision from Frida Giannini, who became sole creative director in 2006. Alessandro Michele was named creative director in 2015, and the storied brand took a giant leap forward.
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