Antiquities

A Soapstone Figure of Songzi Guanyin seated in lalitasana with both hands cradling a boy on the knee, dressed in robes incised with cloud scrolls, open at the chest and falling in t...

A beautiful Ikat Munisak – a woman’s uzbek robe – in traditional pomegranate design symbolizing fertility. It has a square patch in Magenta with a flower mo...

Baramon - Bugaku mask This mask for the Bugaku dance depicts a long eared (wisdom) Baramon, the Japanese way of saying Brahmin, the highest or priestly ca...

Massive and rare early 19th century Indonesian ship bowsprit. Originally a decoration on the front of a ship. Carved wood bull with natural horns. Museum mou...

Fine George II Mantlepiece originally Housed in Edinburgh Good Crisp Carving , This has been painted in its history and is presently in its original carved state. This can be painted...

An impressive Imperial Meiji period Japanese throne chair which is finely and lavishly carved with dragons holding the eternal pearl in their mouths. ...

A pair of very refined standing pottery statue of guardians, dramatic facial expression, beautiful detail, early Tang dynasty 618-907, come with one Oxford authentication TL test cer...

This elegant elmwood console is handcrafted and so the beautiful details under the top and to the corners, both the sides. This is a piece of glamorous timeless The top is in solid...

Saishiki netsuke of Ryujin Style of Yoshimura Shuzan, 18th century Signed: Shuzan Height: 9,8 cm Provenance: W. L. Behrens collection, no. 311 Literature: H. L. Joly, W. L. Behren...

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Northern Wei Dynasty PERIOD: 386 – 535 A.D DIMENSIONS: 404 mm x 350 mm x 230 mm CONDITION: Good condition. Includes Th...

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 530 mm x 200 mm CONDITION: Good condition. Includes Thermolumin...

ITEM: Statuette of a horse with musician MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 420 mm x 365 mm x 145 mm CONDITION: Good condition. Includ...

ITEM: Statuette of a horse with rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 520 mm x 420 mm x 180 mm CONDITION: Good condition. Includes ...

ITEM: Scarab with prenomen for Amenhotep II MATERIAL: Steatite CULTURE: Egyptian PERIOD: New Kingdom, XVIIIth Dynasty, 1143 – 1417 B.C DIMENSIONS: 15 mm x 11 mm CONDITION: Good condi...

ITEM: Head MATERIAL: Marble CULTURE: Greek, Hellenistic period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 55 mm x 38 mm x 44 mm CONDITION: Good condition. Includes stand PROVENANCE: E...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

The imperial dzi beads bracelets were used by the temple monks of the royal court to ask for blessings for Emperors. Dzi is the first of the seven treasures of the Tibetan people. Dz...

The Antique Thai carved architectural element, likely a window lintel. Dealer: S138XX

This is a Fukuro Obi made in Japan around 1960s. Obi is a belt of varying size and shape worn with both traditional Japanese clothing like Kimono.Obi are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk obi worn for informal occasions. Fukuro obi are slightly less formal than maru obi...

ITEM: Figurine of a little Eros riding on a dolphin, holding a lyre with remains of polychromy MATERIAL: Pottery CULTURE: Greek PERIOD: 4th – 3rd Century B.C DIMENSIONS: 145 mm x 140...

ITEM: Mastoid bowl MATERIAL: Pottery CULTURE: Greek, Hellenistic Period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 90 mm x 140 mm CONDITION: Good condition PROVENANCE: Ex German priva...

A naturalistic representation of a Chinese Tang Dynasty bull in a standing pose. This beautiful figure has its neck bent and head angled downwards, with a curved belly with a hole an...

A large terracotta rabbit that is depicted in an extremely naturalistic manner, characteristic of Han Dynasty artistic practice. It is depicted in a recumbent pose, ears bent backwar...

These antique pair of cased South African ostrich eggs is a unique and exquisite addition to any collection. The eggs are hand-painted with intricate designs, showcasing the talent a...

A superb quality Aesthetic Movement Anglo-Japanese dinner gong in the manner of Edward William Godwin, Circa 1880 in date. This fabulous gong is...

Antique Samurai drinking vessel with red lacquer and wooden stopper in excellent condition. The hand made cord tassels complete the set. Dark old pati...

Antique Laos wooden finial Naga, used for decoration on top of the temple's roof. Age: Laos, 19th Century Size of Naga only: Height 78.2 C.M. / Width 23 C.M. / Thickness 5 C.M. Siz...

This 1900-1910 Persian Malayer carpet consists of a cotton warp, handspun wool weft and hand-knotted handspun wool pile. Its bright oranges, reds, blues, and golds were created using...

Wonderful vintage Chinese hand painted credenza made of teakwood. From the 1950’s. This piece features an orange color finish hand painting of fru...

Antique Samurai drinking vessel with red lacquer and wooden stopper in excellent condition. The hand made cord tassels complete the set. Dark old pati...

A pair of antique Japanese wooden red lacquered cabinet. Age: Japan, 19th Century Size: Height 55.5 C.M. / Width 40.5 C.M. / Depth 25.6 C.M. Condition: Nice condition overall. 100%...

Antique Khmer dark-brown glazed pottery jar with flared mouth, decorated with carved band around the neck, encircled lines on the lower body and foot. Age: Cambodia, Angkor Vat Peri...

A pair of antique Burmese wooden finial (Chofa) with figures, used for decoration on top of temple's roof. Age: Burma, Early 20th Century Size of finial only: Height 123.3 - 127 C....

Antique Burmese wooden seated disciple, with gilded gold and inlay of colorful glass pieces on the borders of the robes. Age: Burma, Mandalay Period, 19th Century Size: Height 20.3 ...

This is a silk jacket which was made in Japan. This kind of jacket is called 'Haori' in Japanese. It was made in Showa era around 1970s. This jacket is made with Shibori technique. ...

A pair of antique Thai wooden finial Naga, used for decoration on top of the temple's roof. Age: Thailand, 18th Century Size of Naga only: Height 109.5 - 112.3 C.M. / Width 32.3 - ...

Antique Burmese wooden seated disciple, with gilded gold and inlay of colorful glass pieces on the borders of the robes. Age: Burma, Mandalay Period, 19th Century Size: Height 25.5 ...

19th century 3 antique Victorian gold topped canes or parasol handles, some monogrammed, one with mother of pearl, see more pictures.

A set of antique Burmese amulets in lacquered wood and gilded with gold leaf. It is believed that this type of statuette had special powers due to the paste made from sacred ashes a...

A set of antique Chinese painted pottery soldier. Age: China, Tang Dynasty, A.D. 618 - 907 Size: Height 23.3 - 24.4 C.M. / Width 5.9 - 6.1 C.M. Size including stand: Height 29.1 - 3...

A large antique South East Asian wooden ceremonial drum with leather drumhead. With a natural finish, beautifully aged patina, and a circular flared base,...

Large Qing dynasty oval wooden trough or tub with original thick black and red lacquer. China, early 19th century. Due to the tub's large size, it has many storage options, for exam...

A set of antique Burmese amulets in lacquered wood and gilded with gold leaf. It is believed that this type of statuette had special powers due to the paste made from sacred ashes a...

This is one pair of a sandals which is made around 1950s in Japan. This is made with a paulownia wood which grow in Aizu town in Japan, it is called Aizu Kiri and it is regarded to ...

Japanese Bamboo Spinning Wheel Mingei (Folk Craft) utilitarian tool traditionally used for everyday spinning. It has Wonderful Patina due to many year...

Antique Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with original inlay of colorful glass pieces on the headband, borders of the robes and gilding. Age: Burma, Mandalay Period, 19th Century Size: Height 41 C...

Antique Thai Sankampaeng pottery jar with brown glazed. Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province. Age: Thailand, Sankampaeng Period, 15th ...

Unusual Chinese cassette with brass fittings and a red painted parchment cover. Stylized floral decoration on all sides, partly with gold hatched frame borders. Characteristic brass ...

Antique Thai Sankampaeng pottery ceramic brown glazed jar. Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province. Age:...

Large Satsuma porcelain vase from the Meiji on a gilt metal frame from the Napoleon III period. On one side of the vase is represented a deity, probably ...

Hanten is a type of traditional Japanese garment that is often referred to as a "short coat" or "jacket". `it has a loose, kimono-like design with a straight collar and is typically ...

Eight Antique Chinese Tobacco Pipe Holders with Antrophomorphic Subject, made of the Wood of Fruit Trees. French Private Collection.

This is a kimono called Uchikake which Japanese women wear for wedding ceremony. It is said that the women wear the white uchikake for the reason of 'they can dyed in any color' and...

Fine Japanese cloisonne lidded box from the Meiji period. The small box stands on three brass feet. The lid, also made of brass, has a small flowe...

Burmese pottery standing Buddha. Age: Burma, Ava Period, 15th Century Size: Height 13.4 C.M. / Width 6.2 C.M. / Length 10.7 C.M. Condition: Nice c...

Tibetan wooden Buddhist Mahakala mask (Shaman Exorcism Mask Yama God of Death) with stand. Age: Tibet, 19th Century Size: Height 36.6 C.M. / Width 2...

Rare and complete set Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pal...