Chinese terracotta Figure Playing a Lute hand painted Polychrome enamels, Qing

This is a finely hand painted Chinese Export porcelain bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is beautifully decorated with two panels of f...

This is a hand painted blue and white Chinese porcelain plate, dating to the second half of the 18th century, circa 1770, Qing dynasty. The plate is well potted, and has been hand...

This is a finely hand painted Chinese porcelain bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is beautifully decorated with two panels of figure s...

This is a hand painted Chinese export bowl from the late 18th century, Qing dynasty, Qianlong period, 1736-1795. We date this piece to...

This is a very decorative Chinese Export, porcelain, Rose Medallion dish or plate which we date to the 19th century, Qing dynasty, circa 1875. I...

This is a very good quality Chinese snuff bottle, made from porcelain and finely hand painted in cobalt blue, dating to the mid 19th century, Qing, Xianfeng period circa 1850s. Th...

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

A stoneware shrine model with a figurine made in Ming dynasty (15th-17th century) in China and used as funeral burial objects. It is not known whether the two objects were originally associated, but they display similar glaze and oxidation and were in the same collection. The stoneware building is an architectural rendering of a typical ancestor shrine used at the time. It features a single room behind an elaborate front with double doors, under a multiple layered eaves. There are great architectural and decorative details throughout. The green glaze shows a wonderful silvery oxidation, an indication that the piece was buried in the ground. The side appears to be glazed lightly originally and some scrape marks and oxidized glaze residues remains. The back is unglazed. The figure is a typical tomb figurine...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Taoist Yixing Zisha clay 'priest or scholar' figure - cold painted - good detail - unsigned - China - 20th century. Good vintage condition - chips and ...

A stunning antique Chinese Qing hand painted porcelain figure of a cockerel, possibly Kangxi or later. The cockerel sits on a flat base with a raised head and with tucked in wings an...

A small and charming Chinese cizhou ware glazed pottery figure of a Taoist deity or official, Song to Ming Dynasty, 13th - 15th century, China, ex. Christi...