Chinese Glazed Ceramic Pottery Guardian Ancestor Roof Tile Qing Figure on Horse

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terra cotta, typical of the region of the capital of Luoyang, and then attractively glazed over with various yellow, green, brown, amber, colored glazes. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign, The Empress Wu Zetian (625-706). Comes with Lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then attractively glazed over with various yellow, green, brown, colored glazes. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang Dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang Dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with Lucite display stand...

A scarce and stylish Chinese Qing pottery figure of a cockerel dating from the 19th or early 20th century. The hollow lightly potted figure is very finely detailed and portrays the c...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Remarkable pair of Chinese glazed ceramic celestial Buddhist Guanyin deities. Featuring two beauties depicted standing in draped robes with casc...

Chinese glazed porcelain roof tile of a warrior. The manufacture of glazed tiles was standardized in the Ming Dynasty and during the Qing Dynasty into the Republican Era, glazed tile...