Chinese porcelain sculpture Man on Horse, Dated 1998, Created by Xu Jian Jian

A polychrome porcelain sculpture of a man holding a small ritual vessel. Dated 1998. Created by Wang Qiang Biao (1970). Marked with seal stamps. China. With certificate. Provenanc...

A very nicely decorated vase with a scene of warriors on horse. Apocryphal Yongzheng mark in blue enamel. Absolute top quality painting of the 20th...

Interesting and fine painted Chinese porcelain 1000 years Jingdezhen souvenir. Great paintwork. Fully hand painted Condition Overall condition perfect. Size: 460 high approximate...

A very nicely decorated plate with a beautiful scene of a flying Horse With a nice empty rim. Wanli, Tianqi or Chongzhen Period 1590 – 1640 These kind of dishes are will described...

A fabulous statue of a horse man from the Han dynasty 202 BC-220 AD, with oxford TL certificate from 1995. Provenance Ex: Vanderven & Vanderven Oriental a...

A blue and white porcelain vase, with relief decor of flowers. Dated 2001. Signed Wanglin (1972), Senior Art Artist in Jingdezhen, member of the Jingdezhen Ceramic Art Masters Associ...

Step into a vivid chapter of Chinese history with this exquisite Chinese vintage porcelain polychrome ewer, a piece that embodies the rich cultural and artistic tapestry of the late Qing to early Republic period. The ewer presents itself as a large, vibrant peach, a symbol of longevity and immortality in Chinese culture, offering a visual treat with its intricate detailing and vibrant hues. Beside the peach sits a bearded sage in robes, a figure that brings a touch of wisdom and reverence to the piece. The sage, depicted in a contemplative pose, adds a layer of narrative depth to the ewer, inviting viewers to delve into the stories and philosophies of ancient China. The ewer's handle and spout, crafted to resemble branches, blend seamlessly with the overall design, adding a touch of natural elegance to the piece. A significant highlight of this ewer is the apocryphal "Fu Jian Hui Guan" seal mark found on its flat bottom, a mark that evokes a rich history. The original Fu Jian Hui Guan, also known as the Tianhou Xinggong, is a closed classical temple built in 1884 and completed in 1906, serving as a place of worship for the sea goddess Mazu, showcasing the typical Minnan style. This establishment, popular among overseas Chinese communities, particularly in Southeast Asia, became a hub for the creation of porcelain sculptures, often depicting deities, under the influence of renowned artists like You Zechang. These creations, distinct in style and highly revered, found a cherished place in the hearts of overseas Chinese communities, marking a significant chapter in the history of Chinese porcelain artistry. This vintage ewer...

Large 19th century Chinese sage made of heavy Porcelain. Man draped in traditional robe holding a large walking stick in one hand and a lotus flower in the other. Features superb col...

A Chinese modern dark gray ceramic vase with protruding coils and foliate rim. The lower section has a cartouche [ ] tao pin', reputed to be by artist Pin Yao Jian.

A Chinese Ming dynasty style glazed terracotta prancing horse figure from the 20th century with polychrome finish. Crafted in the Ming style, this small terracotta prancing horse att...

Song dynasty Chinese celadon porcelain horse and rider on later Lucite pedestal Chinese celadon porcelain horse and rider, likely Song dynasty (10th-13th century AD) The figure alo...

Chinese porcelain sculpture of ripe, red peaches - symbolizing immortality - each crafted with great detail, stacked high in a green dish as an abundant tri...