Large Antique Ceramic Jar with Encrustations 15" tall Thailand 14th-15th Century

Antique Thai Architectural Ornament, Sukhothai kilns, 15th century. A glazed hollow ceramic roof tile finial of the Naga/Makara Dragon design having a robust chest supported by front talons and his upright bearded head with open mouth bearing his pointed teeth, further decorated in iron brown under glaze painted highlights, covered in a cream white transparent glaze. From North-Central Thailand, Sukhothai Kingdom, a 15th century sculptural architectural ornament, high-fired glazed stoneware roof tile for decorating and elaborately embellishing the roof of a Thai temple, which was generally constructed of wood and therefore long perished, leaving the remains of the roof tiles, such as this finial. Later custom fitted teak rectangular base included. Measuring: 17-3/8 in. high x 6-1/4 in. wide x 8 in. deep. (44 x 16 x 20.5cm) Weight: 10 lb. 2 oz. (4600g.) 15th Century. $4500. Provenance: with Peng Seng Antique Ltd., Bangkok 1993 (original receipt and certificate of antiquity). William R. Appleby, New York Doyle New York, Asian Works of Art September 21, 2020 lot #338. For similar examples in Museum Collections see: Asian Civilisations Museum, Singapore, accession no. C-1453. Boston Museum of Fine Arts, accession no. 2001.2 Brooklyn Museum, accession no. 84.133.5 Metropolitan Museum of Art, accession number 2019.570.0 National Gallery of Victoria. Melbourne accession no. AS86-1984. The Museum of East Asian Art, Bath, accession no. BATEA 1138. Yousef Jameel Centre for Islamic and Asian Art, Ashmolean Museum, Oxford University, accession no. EA1969.75 Asian Art Museum, San Francisco, 1990.184 For similar examples in publications see: Siamese Pottery in Indonesia, Charles Nelson Spinks, The Siam Society, Bangkok, 1959, Fig. 1. Ceramic Art of Southeast Asia, William Willets, The Southeast Asian...

Antique Thai Architectural Ornament, Sukhothai kilns, 15th century. A glazed hollow ceramic roof tile finial of the Naga/Makara Dragon torso design supported by front talons and his ...

Pair of Vintage Thai Bencharong Lidded Jars, 20th century. Bencharong enamel decoration with Buddhist imagery on a black background. This porcelain jar and lid form having a raised foot rim and lotus bud on a disk lid finial are richly decorated in bright polychrome enamels in the style of the royal household ceramics favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colors used to decorate such porcelain. These jars and covers are decorated with typical Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming purple kranok motifs. This design is framed by two floral bands top and bottom. The interior is a covered in a transparent glaze with unglazed lid edge and the gallery interior edge of the lid unglazed. Condition: Excellent Each measuring: 5 in. in diameter x 6 in. high (12.7 x 15.2cm) Each weighing: 1 lb. 5.5 oz. (610g.) 20th century. Provenance: Dr. Philip Gould, New York, NY. Millea Brothers, New Jersey For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

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