Large Jade Gooseneck Vase

Drawing on a long Chinese tradition of monochrome ceramics, this austere long-necked vase is glazed in serene, cloud-inspired white. Crafted in in Zhejiang province, local ceramists ...

Elaborately finned fish make their way in a vibrant underwater world on this tall blue-and-white gooseneck vase. Patterned with real and abstract forms, this ceramic vase is a contem...

Revered for centuries for its elegant designs and rich cobalt blue and pure white colors, traditional Chinese blue-and-white porcelain lives on in this hand-painted bottleneck vase. Delicately rendered with fish and flora beneath fanciful waves, the vase's whimsical motif draws from these traditional Chinese symbols...

The eight treasures of a scholar, which celebrate study and success, are hidden among the many symbols on this gooseneck jar, double lozenges for victory, a pearl for granting wishes...

Beautifully rendered with expressive brushwork, the painted decoration on this monumental globular jar demonstrates the exceptional artistry of Chinese blue-and-white porcelain. Guar...

Drawing on a long Chinese tradition of monochrome ceramics, this tall gooseneck vase is coated in a deep blue glaze, reminiscent of a dark night sky. The vase features a rounded, glo...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Large, beautiful country-ware vase. Possibly Oribe vase with beautiful blue-green drip over-glaze and other nice glazing techniques. Small "ears" on the side. Taisho period handmade ...

This is an extraordinary jade green celadon Korean vase from the mid 20th century. The vase is baluster shape with an elongated, elegant neck. It is in ...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

Washizome is a Japanese paper with water-absorbing properties, cut into a shape and size according to the pattern, on an unglazed base made of locro. Cobalt oxide, manganese, iron, k...