Japanese Satsuma Vases, Pair

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

A beautiful Japanese Satsuma vase, circa early-20th century, late 1930s-1940s, Japan. Colors include red, black, gold, yellow, white, burgundy, green, and flesh tones. Dimensions: 5"...

A beautiful pair of Modern periwinkle blue Japanese vases with octagonal base, pinched waist, and clover like design at neck/top. Marked underneath/bot...

A very beautiful white to off-white round Japanese pottery vase, late Modern period, circa early-20th century Japan, 1921-1941. Vase has a fluted ci...

A very beautiful pair of Chinese brass and cloisonné enamel vases with dragon design, circa early to mid-20th century, China. Vases are predominantly blue; Other colors include white...

A beautiful pair of vintage yellow, black and green Asian Cloisonné enamel and brass vases, circa early to mid- 20th century, China. Vases have a yello...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

A Satsuma Earthenware Vase, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with ladies and men, the reverse with a flowering garden with sprays of flowers, the neck with geometric and floral designs, a band of kifu heads in silver and gilt above the foot, on a midnight-blue ground, signed Kinkozan zo...

These are a very good quality pair of earthenware Japanese Satsuma vases, beautifully hand decorated and from the Meiji period, circa 1880. The vases...