Pair of Edo Period Japanese Blue Red Gold Porcelain Vases, Circa 1800

Exquisite mid-18th century Japanese porcelain charger, first half of Edo period (1603-1868). It depicts the traditional "sho-chiku-bai" or "Three Friend's of Winter" motif in cobalt ...

Superb pair of Japanese large Meiji period Fukagawa signed porcelain vases (circa 1900). Intricately hand-painted in cobalt blue underglaze with polychrome and gold overglaze on a st...

Japanese contemporary porcelain vase featuring gilded ring handles presents traditional Imari floral motifs against a fine crackle-glaze background on a beautifully shaped porcelain body. Bordered in blue and set off by a simple geometric design rendered in gold, the two scalloped panels depict peaches and pomegranates in shades of orange surrounded by green and brown foliage against a soft cream background. The pomegranates have burst open to reveal their ripened seeds. The two panels are connected by a traditional floral motif with golden peonies...

Elegant contemporary Japanese porcelain decorative vase, beautifully hand painted in red, white and blue on a strikingly shaped body, ...

Japanese mid 20th century signed decorative porcelain vase (circa 1935,) from Showa period (1926 to 1985). It depicts an attractive safflower motif, an elegant scene hand-painted in purple and underglaze blue on a pure white background, on a beautifully shaped porcelain body. The artist's signature appears at the reverse side of the vase. This exquisite vase is in excellent condition. The late father of the collector of this exquisite pair, who operated one of the leading kilns in Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

Exceptional contemporary Japanese porcelain vase, a masterpiece from the artist's exclusive signature collection, extremely intricately hand painted in blue, green, black and gold by...

These are a high quality pair of very decorative gilded hand enameled Japanese porcelain lidded vases which we date to the Edo period of the 19th century, circa 1830. Each vase has a baluster open necked shape and has been hand painted in an Imari design with varying shades of under-glaze cobalt blue, with over-glaze burnt orange, salmon and grey enamels. The decoration alternates around the central section with many flowers, buildings, fences and other motifs. The quality of the painting is high and there are border designs around the vases and the lids. There are no marks to the base. Overall a very beautiful pair of Japanese vases. Notes: Imari porcelain is the name given to Japanese export porcelain...

Edo period Bizen vase, late Edo period (mid-19th century) ceramic vase from Bizen, one of the six ancient kilns in Japan. Unusual undulating rim, with tradi...

Pair of antique Japanese porcelain vases Japanese, early 20th Century Height 86.5cm, diameter 36cm The beautiful Imari porcelain vases...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Ko-Kutani Tokkuri (sake bottle) Edo period (1615-1868), late 17th century Decorated in colored enamels, the lower section painted with scattered medallions of unidentified charac...