Set of 9 Chinese Porcelain Plates, SE Asian Market Straits Bencharong

A very nicely decorated bowl. Extremely well painted and rare Condition Overall condition very good 1 hairline. 145 x 74mm Period 18th century Qing (1661-1912).

Nice, rare and beautiful colors in enamel in the shape of a flower. These wares and their specific characteristics of wild colour and thick enamel have all the characteristics that we can also find in Straits and Bencharong wares. We quite often find whole collections of these thick ennameled & bright coloured 18th c plates stuck together in Dutch Indonesian...

A very nicely decorated bowl. Extremely well painted and rare with elephants/tigers and figures. Condition: Overall condition 2 restored chips to rim, some kind of paste and pa...

A very nicely decorated jar. 18th century Chinese made for the SE Asian / Thai Market. Very rare! Condition Overall condition very good only some enamel loss. 190 x 183 mm Pe...

Nice, rare and beautiful dishes. Flower and rocks as central scene. Condition Dish 1 with 6 hairlines and 2 frits. Dish 2 with 3 hairlines and chips/fritting. Size 200 x 29mm app...

A very nicely decorated rare set of lotus flower plate for the SE Asian market. Top quality paintwork Condition Dish 1 3 fritspots, dish 2 some frits, 1 flint to underside rim, d...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

A rare Chinese export porcelain plate showing the Judgment of Paris. The delicately painted figures derive from a painting by Jean Paul Rubens. Made during the Qianlong Reign, circa 1750, the plate shows the goddesses Venus, Minerva, and Juno on one side and Paris on the other side. Charged by Jupiter to pick the most beautiful of the three, Paris selects Venus and awards her the golden apple. The scene shows Rubens' version of idealized feminine beauty. The rim of the plate is decorated with a rose-red flower band. Dimensions: 9 inches diameter Condition: Excellent Price: $900 Background This dish was made exclusively for the European market based on the well-known Greek story from Homer, in which Paris, the son of the King of Troy, had to choose between several Goddesses to decide which one of them was the most beautiful. According to Greek and Roman mythology, picking Venus as the most beautiful of the three goddesses...

Attractive set of three Chinese hand painted porcelain figures of the three Immortals and dressed in traditional garments and hats, Second half of t...

Pair of Chinese Export Porcelain American* Market Landscape Vases & Covers China, Circa 1800 * American/ European Market, considered to the Chinese to be the same market, by many. it's been suggested the front and back vignettes of houses in landscape on this model, were painted from a European print the Chinese porcelain workshops acquired. A extraordinary find, a pair of Chinese Export Porcelain American/ European Market painted in sepia, colors and gilt vases & covers, with twelve (12) placed American/ European and Chinese motif vignettes. Each vase complete with its original cover/ lid with gilt recumbent foo-dog, with two front and back oval vignettes of a Chinese tree in landscape. Each of the baluster vases, exquisitely hand-painted front and back with a similar American/ European topographical view of country houses with trees landscape. (The Chinese porcelain workshops probably copied these scenes from a European print) Surrounded by an elaborate painted and enameled trellis with vines and leaves. Some traces worn, additional gilt decoration is evident. Both sides of the vases are decorated with an upper elongated cartouche painted...

Chinese porcelain plate, circa 1738, Qianlong Period. Hand painted in fencai enamels, with the ‘Arbor’ pattern, after a design by Dutch artist Cornelis Pronk. The central panel with...

Set of two 19th Century Chinese porcelain vases Chinese, 19th Century Height 57cm, diameter 32cm The vases feature bodies of cylindrical form with retracted bases and stepped retrac...