Three-Piece Mallard Ceramic Duck Sugar Bowl and Spoon, Handcrafted by Otagiri

A ceramic tea bowl decorated with autumn grasses with signed and sealed tomobako. Painter and designer, Kamisaka Sekka (Japan, 1866-1942) has been one ...

A wonderfully hand-painted pair of Chinese blue & white ceramic spoons circa 1850. They bear double happiness signs and wonderful, sculptural shape. A gr...

A set of 3 wonderfully hand-painted Chinese blue & white ceramic spoons circa 1850. They bear a floral pattern design and beautiful, sculptural shape. A ...

A set of 3 wonderfully hand-painted Chinese blue & white ceramic spoons circa 1850. They bear double happiness signs and wonderful, sculptural shape. A g...

A wonderfully hand-painted set of 4 Chinese blue & white ceramic spoons circa 1850. They bear double happiness signs and wonderful, sculptural shape. A g...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...