Signed Japanese White Lacquer and Maki-E Lacquer Tansu, Meiji Period

The vermillion lacquered cylindrical body decorated overall with repeating bands of curvilinear geometric motifs, the cover lifting to reveal both of its original trays intended to h...

The 'ishime' lacquered case consisting of two conforming molded sections with one sliding overtop the other, both sides decorated with hand painted gilt, silver & burnt dark russet (kasshoku) lacquers, depicting motifs in low relief of a rat with an acorn on one side and two acorns on the opposing. In Japanese culture rats are considered auspicious symbols of fertility & wealth, acorns symbolize prosperity & growth. Signed with characters and a mon on one edge. Takamaki-e is a lacquer technique in which metallic powders such as silver, gold, copper, pewter etc., are used in combination with lacquer & clay-dust to build up motifs in low relief. Please note that the color tones & hues of the lacquered motifs appear somewhat more vibrant in the images due to ambient lighting conditions. Regarding the opinion stating the superior quality of this fine example being likened to works associated with those by Shibata...

A large and very fine Meiji Period (1868-1912) patinated and mixed metal bronze vase of ovoid form, richly decorated with raised motifs of flying cranes accented with silver-overlay,...

Both hexagonal panelled bodies exquisitely decorated by hand with multi-coloured enamels, illustrating directionally opposing vignettes of songbirds perched among flowering prunus ag...

A superior Regency period brass bound writing box constructed of richly figured Brazilian rosewood, the hinged top inset with a blank brass cartouche and opening to an interior fitted for inkwells & writing implements, including two replace gilt-tooled leather writing panels that cover document compartments, one housing three concealed spring activated ’secret’’ drawers. The interior also featuring a hinged arm that elevates to support the top when being used as a reading lectern...

This very fine & relatively heavy sterling silver tea caddy is of timeless design, showing an oval shaped canister decorated with an elegant reeded border to both the shoulder & base...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

A Japanese lacquered wood sake ewer with maki-e design, circa late 19th century, Meiji period. The nicely decorated lacquerware is of a Classic sake ewer for...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...

An antique black lacquer document box with an exquisitely detailed, finely wrought design from The Tale of the Genji depicted in gold maki e across the lid. Internally, the box is de...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...