Porcelain Asian Art and Furniture

Antique Chinese covered porcelain jars with various images including swans on two jars and babies on a third jar. Priced individually. From Shanxi province, circa 1900. Dimensions: ...

Antique Chinese Qing dynasty blue and white ginger jar, hand painted with two double happiness characters on scrolling foliage background with large peony blossoms in cobalt blue. ...

Kutani porcelain okimono of a Japanese Green Pheasant, Japan, Meiji Period. The pheasant modelled, perched upon a large gnarled branch. Decorated in typically vibrant enamels, and he...

A bold and unusual large 18.5" diameter Japanese gilt ground Imari porcelain charger featuring the Rokkasen, the Six Immortal Poets, Meiji Period, circa 1900, Japan. The impressive charger features a striking image of the Six Immortal Poets, known as the Rakkasen, seated in fenced pavilion within a lush garden setting and surrounded by numerous books and scrolls. Gnarled pine trees and and branches laden with plum blossoms tower overhead, while chrysanthemum and massive peonies bloom among rocky outcrops. The scene is unexpectedly and masterfully executed as if on a byobu, a traditional Japanese six panel folding screen. The screen is opened in a dramatic manner, slightly akimbo, almost jumping off the dish, reminiscent of the "screens within screens" genre that developed during the Edo Period. Despite the folds and changes in perspective, the painting remains harmonious and lyrical, with the fully gilt ground adding a sense of warmth and sumptuousness. The screen is bordered with a geometric bands in the shippo pattern. The shippo pattern features interlocking circles, and symbolizes the Seven Treasures. The shippo pattern on a larger scale serves at the background fo the rest of the charger. The backside of the charger decorated with two bands with underglaze blue designs. The reserve decorated with scattered stylized blossoms in iron red and gilt. The Rakkasen, known in English as the Six Immortal Poets, are a group of 9th century Heian Period waka poets whose works were included and praised by name in an anthology of poetry collected by the courtier, poet, and writer, Ki no Tsurayuki. Waka poems are a strict five line...

A rare footed dish in the form of an open scroll painting with literati landscape from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu wa...

A magnificent Chinese powder blue glazed porcelain charger with painted gilt decoration, late Qing Dynasty, circa 1900, China. The large and impressive Chinese porcelain charger gla...

"Late Meiji era Kutani vase, circa 1903. A beautiful porcelain blue ground centered by an intricate Geisha flanked by gold figural Foo Dog handles. Features a floral and foliat motif throughout. Signed along the base. Kutani ware, Japanese porcelain made in Kaga province (now in Ishikawa prefecture). The name “Old Kutani” refers to porcelain decorated with heavily applied overglaze enamels and produced in the Kaga mountain village of Kutani. The powerful Maeda family had established a kiln there by 1656. The clay bodies used were gray and coarse-grained. On most pieces—dishes and bowls were especially common—a white or blue-white matte glaze was decorated in dark, restrained colours, initially greens, yellows, and some reds, and later purples and dark blues. Some items had cobalt blue decoration under a white glaze. The most noted Old Kutani pieces are “Green Kutani,” in which most of the surface is covered in a green or blue-green glaze to which one or two colours have been added (or the glaze is applied evenly over a design executed in black). The bold designs of Kutani ware drew freely from Chinese ceramics, paintings, and textiles. They are renowned for their rich pictorial ornament executed in lively, intense lines. Owing to local financial problems and difficulties in obtaining the necessary pigments, the Kutani kiln was abandoned some time in the Genroku period (1688–1704). Ceramics production in Kaga enjoyed a renaissance early in the 19th century, however, including the establishment of another kiln at Kutani in the 1820s. In addition to a revival of the styles of Old Kutani ware, there arose a style using gold on a coral-red ground, which was perfected during another spate of activity that began in the 1860s. Technical advances were made and Western-style pigments were adopted, and by the 1890s modern Kutani...

Large Important Japanese Meiji Satsuma Covered Urn with Foo Dog. Large impressive Japanese Meiji period (1868-1912) Satsuma porcelain covered urn...

This late Qing, Guangxu-period "windswept" guan jar, copying an earlier Ming style, is ornamented with landscapes (on both the body of the jar and the lid), as well as floral and geo...

A large Chinese four-fold hardwood screen inset with blue and white porcelain plaques. The hand carved wood frame is a very dense and naturally rich and dark hardwood from China with...

A porcelain vase with dragon design by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated with a slithering dragon in underglaze iron red circulating the exterior among pink clouds. The animated rendering of the dragon is fine and detailed, with five claws, scales, long tails and highlighted eyes. The pink cloud is misty and called Morotai or the hazy style, created with a unique technique developed in Kozan's studio called fuki-e by blowing the pigment powders onto the surface. Kozan Studio experimented with newly available colors from the west starting in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. Marked in underglaze blue on the base. Known also as Miyagawa Kozan...

A fabulous and quite beautiful pair of Louis XVI style dore bronze mounted Chinese Famille Rose porcelain, sgraffito ground covered vases or por pourries. Each is exceptionally hand ...

A blanc de chine porcelain figure of the Buddha, Japanese, Kutani, circa 1900.

Chinese export porcelain rose medallion vase, 23in, Canton, circa 1900.

A delightful Swatow ware Chinese export shipwreck porcelain kendi featuring a writing dragon and an apocryphal Tongzhi mark, late 19th or early 20th centur...

A fantastic pair of Chinese molded and glazed biscuit porcelain vases with leaping dragon fish or makara, late Qing dynasty, circa 1900. The vases of balu...

Chinese Qing dynasty baluster shape porcelain vase with rich cobalt blue glaze featuring a white dragon in high relief circling the vase. With stylized handles and a tulip opening. T...

Superb pair of Japanese large Meiji period Fukagawa signed porcelain vases (circa 1900). Intricately hand-painted in cobalt blue underglaze with polychrome and gold overglaze on a st...

A porcelain vase with dragon motif by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic elongated baluster form, the surface of the vase was decorated in an unusual pink mist on a white and aubergine background (called Morotai, the Hazy style), on which a flying dragon is showcased on the center. The dragon was outlined in iron red and filled with the aubergine color and was artistically emphasized on its bulging eyes, claws, scales and a long tail. It was the sole focus of the design circumventing the entire body of the vase. The imagery calls in mind the dragon decoration found in Korean...

Japanese Meiji period Satsuma vase in lacquered porcelain with decorative gold fish and red coral motif. The piece was made in circa 1900 and has marks on the bottom. In great vintag...

Large and very detailed piece. Condition Overall condition perfect in wooden box. Size: 315 mm Period Meji Period: circa 1900

An extremely fine and delicate porcelain bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected cer...

A fine and attractive monochrome turquoise glazed stick neck vase, Awaji Pottery, Meiji Period, Japan, circa 1900. The long neck vase beautifully potted and covered in a striking m...