Late 19th Century Metalwork

A fully articulated and signed Meiji period copper Jizai Okimono in the form of a spiney lobster.

An antique Japanese copper water dropper with cloisonne enamel design. Meiji period, 1868 to 1913. Cylinder shape, moveable top handle. Polychrome floral pattern against the dark gre...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

This striking Indian brass ghanta temple bell assembly features three bells, each suspended from the trunk of a cast elephant head, forming a visually dynamic and symbolically rich c...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

This is an antique Lion Rampant doorstop. An English, cast iron decorative heraldic door keeper, dating to the late Victorian period, circa 1880. Robust and generously sized, with ...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

This is a small oval shaped antique metal Pill Box with Inlay to the lid and dating to the Edwardian or late Victorian period. The box is made ...

This is an exceptionally beautiful, heavily detailed Japanese bronze incense burner, known as a koro (香炉), dating to the Meiji Period (1868–1912). While it bears a Japanese maker's mark on the base, the visual identity of this pot is intentionally styled to look like an ancient Chinese ritual vessel...

Presenting a lovely antique Indian Dhokra horse and rider sculpture. Probably from the late 19th or early 20th century as is evidenced by its natural patina and clear evidence of age. It depicts an Indian Warrior with a sword in his right hand mounted on his horse/steed. The warrior is in classical and ancient Southeast Asian Indian attire and he holds the horse’s reins in his left hand. The body of the horse is a series of lines (in the Classic Dhokra Style) and it has a tribal headdress...

Antique Chinese cloisonné enamel round box with lid depicting floral patterns. A white base tone and colorful floral all around, from the 19th century.

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A large Japanese Meiji period cloisonne enameled vase with a scene of birds, butterflies, and flowers on the pink background and borders with colorful decoration. Collectible Orienta...

19th century black cast iron factory singer sewing machine circa 1880. Here we present a beautiful singer sewing machine from the 19th century. From the model 29 range and likely u...

A late 19th century Indian Mughal brass betel nut cutter from the North Western regions. This is a betel-nut cutter made of brass using casting technique with bird motifs and rosette...

19th century Turkish bath clog, or Nalin, walnut with mother of pearl and silver wire inlay. Ottoman Empire, worn to the public bath houses or Hamma...

A good quality antique Indian silver double ended spirit measure or Jigger decorated with Krishna style dancing figures in relief and dating from the latter 19th or early 20th centur...

Outstanding Japanese Meiji Period Samurai Archer bronze statue/sculpture. Wonderful form and details. The bronze statue has gilt accents. Very high quality piece and made well. I am ...

Chinese Export Silver and Enameled Articulated Carp on Lotus and Wave Stand, Circa 1900 Consisting of four pieces 1. The Carp (Yu 鱼) Form & Technique: The carp is constructed of mu...

Antique Hindu brass decorative box. This is an antique Mughal style brass Indian ornate locking trinket box container. It has six compartments that lock ...

Rajasthani Mughal Decorative Copper Lidded Betel Spice Pandan Caddy Box. Handcrafted decorative North India round metal Asian copper Mughal Raj, Indian lidded , spice, pandan betel box with latch and a top handle. Of dome form with lotus-shaped finial, with spiralling bosse designs, Delicately and intricately hand-chased and hammered with geometric Anglo-Indian designs. Consuming betel leaves with several ingredients such as wet lime paste, katechu, areca nut, cloves and even tobacco leaves has been popular in India from the fourth century AD. Dimensions: Height: 9 in (22.86 cm)Diameter: 7 in (17.78 cm) The box was probably used to store the betel leaf used in the preparation of paan. Lime paste is mixed with grated areca nut and flavourings and the resulting mixture is rolled in the betel leaf to form a small parcel which can then be chewed. As well as being an integral part of Indian hospitality paan is believed to possess medicinal properties and was also taken as an aphrodisiac. The present box, which was elaborately designed for this purpose, would have been taken out ceremoniously on special occasions. Exquisite conversation museum quality piece with a very nice antique patina. Fine intricate artwork with conical form lid with Moorish pierced designs. Islamic Mughal Indo Persian...

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

Japan Meiji era-Taisho era (around 1868-1910) Made of brass and decorated with lotus flowers. it's very beautiful. The shape of this vase also spreads from bottom to top like a fl...

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

A cloisonné vase on a blue ground, decorated with a flower garden featuring peonies, chrysanthemums, and a maple tree. Fine silver wires precisely define the details, highlighting th...

A finely cast antique Himalayan bronze sculpture depicting a bodhisattva seated atop a richly caparisoned elephant, elevated on a double lotus pedestal and framed by a pierced foliat...

Turkish tin copper tray table on wooden folding stand Turkish Persian Mameluke style tinned copper tray table. Very nice unusual Asian dark bron...

This finely executed Japanese cloisonne enamel dish, measuring approximately 12 inches in diameter, dates to the Meiji period circa 1880 to 1890 and can be confidently attributed to ...

Ritual bells have occupied an important place in Tibetan Buddhist practice for centuries, forming part of the liturgical objects used in meditation, prayer, and ceremonial rites. Kno...

This exceptional pair of Japanese cloisonné enamel dishes, each measuring approximately 12 inches in diameter, dates to the Meiji period, circa 1880 to 1890, and represents cloisonné...

This finely matched pair of Japanese cloisonné enamel dishes, each measuring approximately 8½ inches in diameter, dates to the Meiji period, circa 1880 to 1890, and is attributed to ...

An antique Japanese brass enamel ceremonial food container with a cover adorned with a pointed finial. Characterized by cloisonne floral designs...

An antique Japanese, Early Edo period, enamel copper tray. The oval shaped tray is enameled with a polychrome image of a Phoenix bird with flowers and leaves made in the Cloisonne te...

An antique Japanese, late Meiji era, covered enamel over brass jewelry or trinket box. The body of the ware is enameled with floral and foliage motifs made in the Cloisonne technique...

A large and highly decorative Japanese bronze hibachi (charcoal brazier), likely dating to the Meiji period (1868-1912). Traditionally used as domestic heating vessels in Japanese i...

A Chinese Bronze Cloisonné Enamel Incense Burner with Mark, Late 19th Century Description: A square censer supported by four feet and topped with two "rope" style vertical handles. ...

An antique Japanese, probably Goto school, enamel over copper charger plate. The exterior of the plate is adorned with a polychrome image of ducks flying over a pond with blossomin...

A rare antique Japanese late Meiji Era tripod and covered enamel copper censer. Circa: late 19th century to early 20th century. The sphere form censer koro is enameled with polychrom...

A refined Japanese cloisonné enamel tray of elegant oval form, measuring 12 inches wide by 9 inches high, signed on the reverse by Gonda. The composition is set against a luminous tu...

This is a pair of antique decorative Meiji vases. A Japanese, bronze baluster urn, dating to the mid Victorian period, circa 1870. Traditional baluster urn form with superb bird det...

FREE WORLDWIDE SHIPPING Japanese bronze and mixed metals koro by Nogawa, dating to the Meiji period circa 1890. The koro is of octagonal form raised upon elongated bracket feet, ex...

Antique handcrafted unique silver collectible box North India. Antique Raj Mughal silver box with hand chased and repousse fine decoration. The top of the box is very intricately finely chased panels with a combination of with foliage and flowers repousse decoration and toped with a peacock bird final. The deep gadroons around the body give this pandan box...

A fine pair antique Chinese Qing cloisonne standing Kylin Dragon figures with fine enamel detailing dating from the latter 19th century or possibly earlier. The standing figures have...

Available from Shogun's Gallery in Portland, Oregon for over 40 years specializing in Asian Arts & Antiques. This is a unique Japanese Meiji era (c. 1890) ornate Cloisonné vase. Mad...

An antique Japanese late Meiji era covered Totai enamel on ceramic ginger jar. Circa: late 19th century The ware is enameled with polychrome images of blossoming flowers, butterflies, and dragonflies made in the Cloisonne technique. The cover of the ware is made in the same design. The neck and the base are adorned with polychrome floral, and foliage motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo is the name given to Japanese cloisonne on ceramics, both on earthenwares and on porcelain. It has a similar appearance to metallic cloisonne ware...

19th century Middle Eastern Islamic Moorish pierced brass and copper floor lamp. Beautiful Middle Eastern Islamic Syrian, Persian style brass floor lamp is handcrafted with Moorish calligraphy Arabian designs. Extremely fine antique Islamic floor brass lamp with Kufic Mamluk revival pierced foliate openwork’s chased and chiselled with Arabic calligraphy and figures. The Moorish brass shade is intricately hand-pierced with Islamic Tuluth writing and designs. Great exquisite Middle Eastern Asian Museum quality piece, beautiful desirable patina. Same floor lamp could be found at the Doris Duke Islamic Art Museum. Hand-hammered decorative collector Islamic brass Moorish folk art Antique 19th century Middle Eastern floor lamp...

A Large Japanese Cast Bronze Censer, Meiji Period, Late 19th Century Description: Of circular form with a flat rim, decorated with mythical creature ring handles and a band of ourob...

An antique Japanese copper serving plate with polychrome cloisonne enamel design. Meiji period, ca. 1880s. Round footed piece. Turquoise blue ground color. The plate depicts a samura...

An antique Japanese silver wire enamel Kogo box for incense. Early Meiji period. The oval shaped box is covered with polychrome medallions representing a pair of Phoenix birds and fl...

A very elegant set of six antique Russian Imperial silver spoons, by Feodor Ivanovich Rückert, Moscow, 1889. These very attractive Russian silver spoons were made by the legendary m...

Japanese Meiji finely decorated cloisonne vase. Multiple designs within different cartouches. Unmarked

19th century Middle Eastern Arabian tinned copper Dallah coffee pot. Antique decorative Arabic coffee pot hand-hammered and chased copper with riveted br...

Rare peacocks and peonies antique Japanese Meiji period patinated bronze gold and silver inlaid signed Usubata vase for Ikebana, the Japanese art of flowe...

19th century Middle Eastern Arabian tinned copper Dallah coffee pot. Antique decorative Arabic coffee pot hand-hammered and chased copper with riveted b...

Antique Japanese Meiji period cloisonne enamel plate featuring a striking sky blue central panel decorated with cranes, small birds, reeds and flowering plants. The scene is finely d...

An important early Meiji Japanese cloisonne enamel charger on the rare white ground, 17.5 inches in diameter. The central medallion shows a finely detailed pheasant set among bamboo ...

A beautifully executed Meiji period Japanese cloisonne enamel plate featuring a vivid sky blue central medallion framed by an elaborate border of intricate wire work. The center is d...

IMPRESSIVE SIZE MIXED METALS BOX From our Japanese collection, we are pleased to offer this Japanese Mixed Metals Box by Fujii Yoshitoyo. This substantial rectangular box, raised u...