Pair of Large-Scale Cloisonné Duck Boxes

A 19th century pair of famille verte jars, the bodies with figurative decoration. Qing dynasty, Tongzhi period.

A pair of early 20th century Meiji period Shibayamama panels of oval form, set within aubergine decorated frames, housing black lacquer panels with carved eagles, smaller bird and fl...

A set of three Chinese Export style porcelain leaf dishes, decorated with red, blue, green and gold glazes upon a white ground, each depicting the Great Seal of the United States: A ...

A late 19th century polychrome glazed figure of a seated immortal. Qing Dynasty, Guangxu Period.

A late 19th century Famille verte jar with cover, of bulbous form, with cartouches depicting antiques, flowers, birds and insects set upon a ground o...

A mid-20th century republic period canton enamel vase of good scale, decorated in polychrome glazes with scrolling foliage upon a turquoise ground,...

A large pair of Chinese cloisonné enamel bowl made with the technique of plique-à-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows...

Pair of elegant vintage cloisonné candleholder made of copper with blue, pink and other various color accents in a traditional oriental pattern with bird on black background, circa 1...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A large pair of Meiji Period Japanese cloisonne enamel vases attributed to Goto Seizaburo, 19th century. These vases were made during the Meiji period (1868-1912) in Japan and are...