20th Century Spring Japanese Screen Hand Paint

Two-panel screen of Rinpa school painted with mineral pigments on silk and rice paper. It depicts colorful peony flowers. This is the flower of spring, symbolizing success and pro...

Japanese screen with two doors painted with mineral pigments on rice paper. Early Showa period.

Eagle on a pine branch with traces of white snow. A rare subject for this mid-century two-panel screen, painted in mineral pigments on gilded paper. The screen is a nice size and is ...

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

Oriental Spring Garden: Japanese two-panel screen painted on rice paper from the Showa period.

Six-panel screen of Rinpa school, painted with mineral pigments and gofun on vegetable paper and silver leaf.

20th Century Japanese Screen by Hiroshi Kimura Period: 20th century Size: 187 x 72 cm (74 x 28 inches) SKU: PTA49 This beautiful screen is a work of art by the Japanese artist Hiro...

20th c., Showa period gouache and gold leaf Japanese screen. Depicting plum tree blossoms on a riverbank across 6 panels. Plum blossoms are often mentioned in Japanese poetry as a symbol of spring...

Presenting a stunning and extremely rare and desirable early 20th century Korean 8-panel hand painted silk screen. This screen consists of ...

Pair of Mid-20th Century chinoiserie screens, hand painted, similar but different figures of Chinese notables.

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...