Lovely 19th Century Scroll Paintings Japan Artist Signed Crane in Landscape

Jodo Shinshu Nishi Honganji 1862 years now, born as the second son of Okayama Prefecture Kasaoka Joshinji priest Akemi Tsuda. His real name is Akirashirube. He was a painter and a...

Japanse school Vrouw op brug Rolschildering / scroll op zijde, benen rollers. B 77.5 x 36.9 / 160 x 49 cm 77.5 x 36.9 / 160 x 49 cm.

Tamazusa Kawabata 1842-1913 Japan painter. Kyoto student. His name is Takinosuke, Keitei in another issue, and Kei in his later years. At the age of eleven, he entered the gate of Aki Nakajima, and later learned from Kaikei Oda. After moving to Tokyo, he learned oil painting with Yuichi Takahashi and Wargman. In addition, he became a modern Japanese Maruyama sect who loves Maruyama Okyo...

Japanse school Kraanvogels en schildpadden in stromend water met Horaisan op de achtergrond Rolschildering / scroll op papier, houten rollers. B 100.5 x 26.7 / 183.5 x 37.7 cm 100....

Product description such you can see Furuya IchiAkira handwriting color-Matsushima view / Futoshimaki, both box is. [Prompt decision pricing goods] only, except for some areas, ...

It is a high-quality craft of the work drawn by Kawai Yudou as you can see. The slightly hazy distant mountains are really tasty, and the pine tree drawn in the foreground is a very tasty work. «Kawagoedado» [1873-1957] Japanese painter. Born in Aichi. His real name is Hosaburo. Another issue, Ikuan. At the beginning, he studied under the Shijo school and then Masakuni Hashimoto to...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Chinese Pheasants Yoshizawa Setsuan (1809-1889) Hanging scroll, ink and color on silk. Painting inscription: Setsuan Houyou Upper seal: Y...

Shunga Unknown artist Meiji era, circa 1880 Hand-scroll mounted with 12 paintings Ink, pigment and gofun on silk Dimensions: Each image measures H. 23.2 cm x W. 34.4 cm (9.15” x 13.5”) The hand-scroll measures H. 28 cm x W. 540 cm (11” x 212”) A set of 12 late 19th century Japanese Shunga paintings mounted as a hand-scroll. Two of the leaves bear the signature and seal ‘Setsuzan’, although we are unable to confirm the identity of the artist using this art name. 6 of the 12 images are taken almost directly from Katsukawa Shuncho’s late 18th century woodblock series, ‘Erotic Pictures...

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

Seal on lower right reads: I'nen. Beautiful and delicate Rimpa painting using tarashikomi (painting-in) technique of wet on wet painting. Painted in a style reminiscent of the famous...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...