Six-Panel Japanese Folding Screen with Grapevine, Kanō School

The scene is dominated by a plum tree in bloom under which a couple of paradise birds is courting. The screen is crossed by a luxuriant creek, a typical feature of the springtime.  

A pair of six-panel folding screens with peonies and other flowers 19th century Each 72.5 by 241 cm Small and elegant screens with an ideal scene depicting peonies and other flower species...

Karamono with flower arrangements and rare birds Edo period, 18th century Pair of two-panel folding screens Ink, colors, gofun and gold leaf on paper Each 170 by 165 cm ...

In the pleasure districts, the stringent codes were meant to be forgotten. In this painting, some clients are watching from outside the teahouse, while some are entering, one of them...

This pair of screens belongs to a genre of lyrical paintings of flowers, grasses, and other plants that flourished around the middle of the 17th century and became a specialty of the Sôtatsu studio. The use of a rather complex composition of clusters of flowers and the puddling of ink was initiated by Tawaraya Sôtatsu, the founder of the Rimpa School, who was active from 1600 until 1642. The screens are abstract and decorative but there is, at the same time, a keen sense of naturalism not only in the attention to accurate detail but in the profusion of vegetation. The passage of the year is symbolized by the variety of plants that bloom in different seasons. The tarashikomi - here used on leaves, petals and trunks - is a Classic Rinpa technique in which pale black ink or a color is brushed onto an area of a painting and then either darker ink, or the same or a contrasting color, is dropped into the first before it has completely dried, creating an effect of pooled colors with softly blurred edges. Its delicacy, preciousness, and effeminacy are identified with the over-refinement of its patrons, while the vigor, monochromatic discipline, sharp observation, and virile forms of the Kano school are a testament to the vitality of the rising warrior class. The plants are almost all identifiable: in the summer-spring part, you can find wheat, buttercups, irises, begonias, hydrangeas, coral bells...

This painting represents a man waiting under a dark tree. The composition is extremely simple but suggestive. The artist, with few elements, can, in fact, create a vivid and dynamic scene, based on the tension between the strong ink stain that renders the tree and the elegant figure of the man, dressed in an aristocratic robe. Painter and designer, Kamisaka Sekka...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Stunning late 19th century Japanese Meiji period six panel byobu screen featuring a deep blue waterscape with pheasants and ducks. Made in the Kano sch...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Late 17th century Kano school peony landscape screens. One of a pair of screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) ...

Early 19th century late Edo period Japanese four-panel screen depicting examples from the 24 paragons of filial piety. Painted in the Kano School style featuring figures in colorful,...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...