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Antique Chinese Cloisonné Enameled Guanyin Sculpture Figurine, Strong Museum
$1,800
£1,395.67
€1,583.65
CA$2,580.22
A$2,805.62
CHF 1,478.29
MX$34,080.20
NOK 18,585.09
SEK 17,422.02
DKK 11,883.88
About the Item
Antique Chinese cloisonné enameled and carved Guanyin, or Quan Yin, sculpture or figurine features carved face and hair and finely detailed multi-colored enameled dress. The hair is adorned with layered filigree ornament, and the toes of her shoes are accented with filigree details, shown peaking out from the bottom of her dress.
The sculpture is marked on the bottom with a chop mark and museum catalogue number in writing. It is in good antique condition with small loss of a chain fragment on the applied neclace detail that can be easily restored professionally; we are leaving the decision on the restoration process to the future owners.
Provenance:
The piece was in collection of Margaret Woodbury Strong Museum, later simply known as Strong Museum, which is now Strong National Museum of Play (since 2006); it was released via deacquisition sale. Established in 1969 in Rochester, NY, the museum was initially based on the personal collection of Rochester native Margaret Woodbury Strong. The original mission of the museum was to interpret the social and cultural history of average Americans between 1830 and 1940; Mrs. Strong's collections of dolls and toys, American and European decorative arts, prints, paintings, Japanese crafts, and advertising ephemera provided a firm foundation for this mission. Later the museum changed its mission to collecting, preserving, and interpreting the history of play.
Margaret Woodbury (1897-1969) was the only child of wealthy Victorian parents John Charles Woodbury and Alice Motley Woodbury, who spent a significant amount of time traveling the globe; Margaret was accompanying her parents, both passionate collectors collectors, from an early age, gradually becoming an avid collector herself. She inherited and meticulously maintained the collections both parents had acquired over their lifetimes; after the death of her husband, she fully devoted herself to adding to her existing collections, with her interests spread to a variety of collecting areas, such as dolls, dollhouses, miniatures, books, bookplates, paintings, artwork, shells, and various antiques, including Asian and Japanese artifacts that were an area of special interest of her mother.
We are offering multiple pieces of ceramics and glass, that were released from the former Strong Museum, in separate listings.
Sculptural, colorful figurine, distinguished with elegant form, high quality craftsmanship, and statement piece presence, will make a great gift to a collector or design enthusiast and a perfect addition to a wide range of interiors, from Traditional to chinoiserie, Transitional, Grand Millennial, Glam, Hollywood Regency, Collected, or Contemporary.
- Dimensions:Height: 9.19 in (23.35 cm)Width: 2.88 in (7.32 cm)Depth: 3.5 in (8.89 cm)
- Style:Chinese Export (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:late 19th century or early 20th century
- Condition:Wear consistent with age and use. Minor losses.
- Seller Location:Clifton Springs, NY
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
About the Seller
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