Antique Giltwood Buddha Statue Southeast Asia

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

A gilt and lacquered wood Buddha statue from Southeast Asia likely Burma, circa 19th century. The Buddha is depicted as seating on a slightly taper...

A Japanese carved wood Amitabha (Amida) Buddha statue with residual gold leafed surface circa 19th century (late Edo period). The buddha is seated in the padmasana position on an elevated double lotus throne, under a small lotus halo canopy. His right hand is held in abhaya mudra which means fearlessness in Sanskrit. The mudra symbolizes protection, peace, and fearless. His left hand gently resting on his thigh. Dressed in a flowing robe with open chest, the statue showcases a classic iconography found prominently in Japanese Buddhism art during Edo to Meiji period, characterized by the double lotus throne and a particularly serene meditative facial expression, highlighted by inset gemstones...

A Southeast Asian lacquer vessel of iconic form from Burma or Northern Thailand, circa turn of the 20th century. This covered vessel is called a “Hsun Ok” and was made in the form of...

An gilt and lacquered wood Buddha head with displayed on a metal and Lucite stand. stunning presence with its refined features and amazing details. The carving is of exquisite qualit...

An extraordinary "Kepeng Lamak" from Bali, Indonesia, circa early 20th century. Lamak is a general term for temple hangings, mostly made of disposable materials like palm leaves for temporary offerings. A small number, such as this piece, were made by wealthy and aristocratic families for permanent display. The lamaks are traditionally displayed in temples or residents for a strong spiritual reason in Bali that is known as "Artja". They could function as receptacles, or a vessels of for the habitation of the deities when they descent to the earth on propitious occasions. In a goddess form with a carved wood head adorned with painted face and mirrored crown who likely represents Dewi Danu, the water goddess, this lamak was constructed with a bamboo frame, cotton pompoms, fabric fragments...

Golden wooden statue of Buddha from the 19th century standing in a lotus flower with a height of 73 cm and a width of 24 cm. Remarkable patina. Some gaps. Additional information: ...

A most impressive and exceptionally fine hand carved, black lacquered & gilded Shan style buddha. Shown wearing a finely carved & richly detailed mon...

A wonderfully carved 18th century Burmese Shan period stupa with many seated Buddha's set in niches. With original gilding and red and green polychrome. The stupa is a Buddhist arc...

Chinese Qing Dynasty Bronze Statue of Seated Happy Maitreya Buddha. A Chinese bronze statue from the late 18th century Qing Dynasty period is ca...

A very large gold Thai standing Buddha featuring intricate inset glass detailing. Supported by a later custom wooden stand

A mid 18th century Burmese stone Buddha seated in Bhumisparsha mudra position* (“calling the earth to witness”). Black-red lacquer with remnants of gild...