China Ancient Stone Entertainer, Han Dynasty 200 AD

China, a large votive model of a stone ram, Han dynasty (206BC-220AD) Dimensions: 45cm, 18 inches high and 65cm, 26 inches length and 25cm, 10 inches wi...

China, a rare hand carved stone male figure from the Han dynasty (206 BCE-220 CE). Dimensions: 16 inches tall on its custom stand and and 6 inches wide Condition: old patina wi...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

China, a carving of a canine “Pug”, Ming Dynasty, 1368-1644 CE Dimensions: 38 cm, 15” High Photographs taken indoors and out of doors for your viewing pleasure. The hand carved limestone beast shown on its haunches with naturalistic joyful expression and a well defined compact head, ears, noes, eyes, feet, and tail parted to one side on reverse with distinctive collar ornament seated four square on a thick base all-over showing a weathered surface from significant age. Formerly exhibited “Asia Week” New York City, Fuller Building, Hutton Gallery 2006. Provenance: ex collection luoyang, Henan Province, China. Includes custom display base as shown Catalog reference: 35 years collecting 35 treasures, Number 35, p.76 (photo) In ancient China, it is a well-known fact that several types of small dogs were bred and were favored pet gifts between emperors and kings including Lion Dogs, Pekingese and Lo-sze breeds. Some Lo-sze are pictured wearing collars with bells a frequent combination fancied by European royalty of the seventeenth and eighteenth centuries. Lo-sze or pugs were prized for their compact body, good bones, flat face, square jaw, short coat, curled tail, side set back ears, and temperate disposition. History: Placing stone animals in important tombs can be traced back at least to the Qin Dynasty (221-206 BCE), some two thousand years ago. In ancient times, stone animals and human figures placed before imperial tombs symbolized royal power and privilege in addition to decorative functions. The first Ming tomb...

A Chinese hand carved and hand painted wooden effigy of an extraordinary unicorn dating to the Song dynasty before 1279 AD. Please enjoy the beautiful remnants of its aged original swirling painted surfaces. Period: Song dynasty Dimensions: 16 inches high and 31 inches long and 4 inches deep Certificate of Age: Radiocarbon Test, GX-32990, 1223-1279 AD, 02/13/2008 (see photo of certificate) Provenance: This is from a private collection and were acquired by us along with a larger wooden horse...

A Chinese hand carved and hand painted wooden effigy of a fantastic Bixie dating to before Song dynasty 1279 AD. Please enjoy the beautiful remnants of its aged original swirling painted surfaces. It has been traditionally carved and assembled in three sections. The tail may be a later replacement. Period: Song dynasty Dimensions: 6 inches high and 15 inches wide About Bixie The “bixie” is a mythological creature commonly thought to be able to ward off evil forces with its magical powers. In fact, its name means “to ward off evil” in Chinese. In the Han dynasty, “bixie” were commonly represented as winged, four-legged beasts, a form that was probably transmitted from Western Asia. Provenance: This is from a private collection and were acquired by us along with a larger wooden horse...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...

Standing Stickman from the Han Dynasty. Original ancient Chinese tomb attendants sculpture of a tall, thin standing man wearing a short tunic. Beautifully crafted in grey earthenw...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

Extremely rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful large sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left looking forward and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. Decorated with dotted and circles patterns. The surface is treated with applications of natural color pigments such; red, white and others. Has a measurements of 435 mm by 319 mm by 243 mm (17.10 x 12.55 x 9.55 Inches) (43.5 x 31.9 x 24.3 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...