Chinese Jade Finely Carved Libation Cup, early Qing Dynasty.

Chinse white and russett jade carving of leaping carp, surrounded by waves, chilong and flaming pearl. 20th century work.

Chinese carved red coral lady with flowers and flowing robes. Very fine work from Qing Dynasty. Weight 236 g. Last two images taken under natu...

Chinese tortoise shell finely carved box, Canton circ 1840, The box is carved with court scenes on both top and bottom. Finely executed edge with greek key pattern and scenes. THIS I...

Chinese carved coral perfume bottle in a form of a covered vase with a parrot on the finial and floral decoration at the base. Very fine work with good subject matter. Weight 77 g.

This is a very good Chinese Jade, Jadeite / Nephrite stone pendant that we date to the early 19th Century, Qing period. The jade has various colours within the stone, mainly a very...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...

A fine antique/vintage Chinese carved tigers eye stone libation cup supported by a dragon and dating from the early 20th century or possibly earlier. The hard stone cup...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...