Chinese Ming Dynasty Wooden Sculpture of Arhat 'Luohan', 16th Century

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

A tall Chinese green and amber glazed figure of an attendant, Ming Dynasty, 16th-17th century, China. The figure stands upon an integral plinth, dressed in long robes...

This imposing figure is the head of an Arhat, a Buddhist devotee who has attained enlightenment, also called a “Luohan.” The eighteen original Arhat are the personal disciples of Buddha and the guardians of Buddhist adherents. Each is represented with a unique disposition, posture, and distinctive symbol. This exquisitely formed monumental ceramic Arhat dates to the Ming dynasty (1368-1644) and has likely been separated from its original full body sculpture...

A fantastic Chinese sancai glazed tilework celestial guardian lion, late Ming Dynasty (1368 - 1644), circa late 16th century, China. The charming and ferocious lion is portrayed in ...

This is a rare Chinese Ming Dynasty bronze Fu Dog figural bronze tripod lidded censer used for incense. It has a Fu Dog or Qilin figural top lid with superbly carved details. The Fu ...

A Ming dynasty period 15th or 16th century painted stone sculpture of the Bodhisattva of Compassion Guanyin in a seated position. Created in China during the Ming dynasty, this marble statue features Guanyin, the Bodhisattva of Compassion, depicted in a seated position, wearing a large Chinese monastic dress and a headscarf. Her clothes are accented with the red color that is characteristic of Guanyin representations. The drapery demonstrates the undeniable mastery of the Chinese stone carving...