Set Burmese monks from Burma

Material: wood 46 cm high 46 cm deep Weight: 19.1 kgs 29,5 cm wide Namaskara mudra Originating from Burma 19th century Goldplated

Material: lacquerware 11 cm high 7,5 cm wide and 3,6 cm deep Weight: 0.058 kgs Gilded with 24 krt. gold Originating from Burma 19th century.  

Material: wood 13 cm high 7,9 cm wide and 4,4 cm deep Weight: 0.097 kgs Gilded with 24 krt. gold Bhumisparsha mudra Originating from Burma 19th century

Material: wood 21,2 cm high 7,6 cm wide and 7,5 cm deep Weight: 0.348 kgs Goldplated with 24 krt. gold Shan (Tai Yai) style Originating from Burma 19th century

Material: marble 14 cm high 8,5 cm wide and 4 cm deep Weight: 0.378 kgs Originating from Burma Early 20th century

Material: bronze 31 cm high 18,8 cm wide and 23,6 cm deep Weight: 4.034 kgs Mandalay style Namaskara mudra Originating from Burma Late 19th century With Burmese inscriptions...

A truly magnificent and special work - this beautiful and exceptionally long string of Japanese hand-crafted natural wood (perhaps Rosewood) Buddhist Juzu mala beads. These rosary-type large prayer bead necklaces were used by Buddhist monks in temple prayers/rituals and worn by Samurai as amulets of protection. During the Edo period, Buddhist priests/monks and samurai warriors used to wrap the beads around their bodies and use the beads in their worshipping and meditation ceremonies. After reading the sutra once, one bead would be moved (some sects used them instead of wooden tally counters). It would take a tremendous amount of intense concentration and physical stamina to read the sutra while holding and counting/moving each individual prayer bead as well as a copious amount of time to move all the prayer beads to complete the sutra cycle. We have not come across another set of Juzu beads...

A truly magnificent and special work - this beautiful and exceptionally long string of Japanese handcrafted natural wood (perhaps rosewood) Buddhist Juzu mala beads with four large square-like beads called shitenshu beads said to represent the Four Heavenly Kings: Jikko-Ten, Zocho-ten, Hiromoku-ten, and Tamon-ten (Since there are four square beads, the denomination is probably Tendai or Nichiren sect). These rosary-type prayer bead necklaces were used by Buddhist monks in temple prayers / rituals and worn by Samurai as amulets of protection. We have not come across another set of Juzu beads...

Rare stupa sculpture, 400-600 years old, carved in sandstone. In original untouched, well-preserved condition. From Arakan in Burma. Typical stupa construction with square base, hemispherical dome and conical spire. At the base a portal door...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

A Burmese Mandalay style gilt lacquered wood standing figure of Buddha and together with an unusual Burmese red lacquer covered baluster offering vas...

Antique architectural carved wood temple truss fragment from Rajasthan, India. Large and heavy wood hand carved fragment architectural temple fragment...