Chinese Ming Dynasty Green Glazed Attendant Figure, 16th-17th Century, China

A tall Chinese green and amber glazed figure of an attendant, Ming Dynasty, 16th-17th century, China. The figure stands upon an integral plinth, dressed in long robes...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

A fantastic pair of large Chinese tileworks sancai glazed Buddhistic lions and attendants, late Ming Dynasty, first half of the 17th century, Shanxi, China. Presented on custom 20th century wood and lacquer table-form stands. This pair of lions and attendants portray Buddhist lions...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

Chinese late Ming dynasty bronze figure of the Bodhisattva Avalokiteshvara, also known as Guanyin (Quan Yin, Kwan Yin, Kuan Yin), 17th century, China  The figure well cast in two ...

An attractive carved wood figure of the Bodhisattva Avalokiteshvara, known as Guanyin in China, late Ming Dynasty, early 17th century, China. Guanyi...

Fine cast bronze figures created over 400 years ago during China's Ming dynasty are rare and highly appreciated. In this exceptional example, a spirited young boy stands on a lotus b...

This is a rare Chinese Ming Dynasty bronze Fu Dog figural bronze tripod lidded censer used for incense. It has a Fu Dog or Qilin figural top lid with superbly carved details. The Fu ...

A Chinese Ming Dynasty period hand carved stone monkey temple sculpture from the 17th century, depicted seated and holding a round stone disc above its head. Created in China during the Ming Dynasty period which spanned from 1368 to 1644, this hand carved stone sculpture...

A Ming dynasty period 15th or 16th century painted stone sculpture of the Bodhisattva of Compassion Guanyin in a seated position. Created in China during the Ming dynasty, this marble statue features Guanyin, the Bodhisattva of Compassion, depicted in a seated position, wearing a large Chinese monastic dress and a headscarf. Her clothes are accented with the red color that is characteristic of Guanyin representations. The drapery demonstrates the undeniable mastery of the Chinese stone carving...

This imposing figure is the head of an Arhat, a Buddhist devotee who has attained enlightenment, also called a “Luohan.” The eighteen original Arhat are the personal disciples of Buddha and the guardians of Buddhist adherents. Each is represented with a unique disposition, posture, and distinctive symbol. This exquisitely formed monumental ceramic Arhat dates to the Ming dynasty (1368-1644) and has likely been separated from its original full body sculpture...

Beautiful and unusual, hand-molded, painted and glazed, eight-person procession of robed attendants both surrounding, and bearing a litter born on poles. The central figures and litt...