Antique Japanese Mosquito Tent

Japanese bronze of an elephant, mid-twentieth century, modelled with trunk aloft, a substantial, attractively modelled sculpture with pleasing colour and finish.

An antique Louis XV Campan Vert fireplace, the boldly shaped and moulded shelf above frieze with double scallop shell cartouche with central flower head, the canted jambs headed by a...

An elegant and well formed French Bardiglio Pompadour chimneypiece, late 19th century, suitably sized for the bedroom, the shaped shelf above panelled frieze centred by cabochon, wit...

A Regency style white marble fireplace, to a design by Sir John Soane, the inverted breakfront shelf above frieze with a band of anthemion carved in rel...

Regency neoclassical inlaid dove grey and statuary marble fireplace, the moulded shelf above frieze with delicate scagliola inlay of swags and tied ribbons, centered by plaque with c...

An English early twentieth century Grey Petitor bolection fire surround, c.1910-1930, on block feet. Opening width 126.5 cm x 91.5 cm high.

A large Japanese silk embroidery tapestry circa 19th century, late Edo to early Meiji period. Meticulously handwork that densely depicts repea...

A finely embroidered Japanese silk Fukusa panel presented in a beautiful silk-lined giltwood frame (newly framed and glazed), circa late 19th century of Meiji Period. Fukusa is a tra...

A finely embroidered Japanese silk Fukusa panel presented in a beautiful brocade-wrapped fame. Circa late 19th century of Meiji Period, Fukusa is a traditional Japanese textile...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...