Arthur Umanoff Mid-Century Dining Set, Wrought Iron & Glass, 1950s

Italian architect and furniture designer Maurizio Tempestini is well-known among vintage outdoor furniture aficionados for his sculptural Clamshell line and other elegant mid-century modern furnishings for patios and gardens.

Born in Florence in 1908, Tempestini completed his studies in Industrial Decoration at the Porta Romana Art Institute in 1929. His career as an interior architect and furniture and lighting designer flourished during the early 1930s. It was during this time Tempestini was also active as a set designer for several Italian theater productions, including Mario Massa’s Osteria degli immortali and Luigi Bonelli’s comedy Il Gigli.

Tempestini then turned his attention from the stage to designing furniture and decorative objects. He crafted pieces for ceramics factory Cantagalli in Florence, as well as for Murano glass manufacturers Seguso and Cappellin.

In 1934, Tempestini worked on the external renovation of the Palazzo delle Esposizioni at the Parterre di San Gallo in Florence for the Littoriali Exhibition. Later, in 1938, he formed a studio with architects Nello Baroni and Pietro Porcinai before cofounding the legendary postwar Italian lighting maker Arteluce with designer and engineer Gino Sarfatti in 1939.

During the 1950s, Tempestini designed lighting fixtures for Lightolier and began to collaborate with Brooklyn, New York’s John B. Salterini Company. Salterini was an Italian emigree who initially worked in journalism before becoming an eminent producer of high-end wrought-iron furniture.

Tempestini’s modernist outdoor furniture for Salterini resembled indoor seating manufactured by the likes of Knoll or Artifort — his chairs and other seating boasted organic curves and seductive, unconventional shapes. His work complemented Salterini’s own handmade designs, which reflected Gothic Revival and Art Deco influences. Together the designers produced successful lines of garden and patio furniture for Salterini’s eponymous firm.

Tempestini’s name soon became widely known in the United States. His designs were first introduced to the American public in 1951 through Gimbels Department Store and Suniland Furniture in Houston, Texas. Today his bold and stylish patio furniture remains sought after by collectors everywhere.

On 1stDibs, discover a range of vintage Maurizio Tempestini garden elements, lounge chairs and tables.

Though much of Arthur Umanoff's furniture is marked by a no-frills simplicity common in American mid-century modern design, his work is anything but one-note. Over the course of a prolific career, Umanoff designed everything from case pieces to candleholders to magazine racks to dining chairs in iron, leather, walnut, wicker and more. With furnishings for a broad range of manufacturers throughout the ’50s, ’60s, ’70s and early ’80s, Umanoff continued a thread of sculptural elegance and textural sensitivity through his designs.

After graduating from Pratt Institute in the early 1950s, Umanoff experimented mostly with wood furniture before landing a job at Post Modern Ltd, a New York manufacturer of wrought-iron furniture. There he produced furnishings that married wrought iron with wood and plastic, creating functional pieces free of utilitarian bulkiness.

Umanoff continued his experimentation with mixed materials through a partnership with Shaver Howard, for whom he designed wine racks in combinations of iron, leather and wicker.

When Shaver Howard bought Boyeur Scott, Umanoff conceived several furniture designs for the brand, including the 1964 Granada collection, whose curlicue iron bases, visible through glass tops, stand out as some of his most ornate and decorative work. Indeed, much of Umanoff’s oeuvre is far more simplistic, like iron-and-pine armchairs for The Elton Co. or low-backed, slatted-seat barstools with slender iron legs for Raymor.

Umanoff was fluent, too, in the more sumptuous modernism of the era: In the mid-1960s, he designed the 2405 and 4449 armchairs for Madison Furniture Industries. Popular in offices, the walnut-framed, leather-upholstered seats, which could have been mistaken for the seductive Scandinavian modern seating of the era, were reportedly the jumping-off point for Captain Kirk’s iconic seat on Star Trek.

Even as he is among the mid-century modern designers you may not know, with work across such a range of styles and manufacturers (most no longer in business), Umanoff, who died in 1985, leaves a legacy that is fascinatingly diverse and at times enticingly elusive, making his work intriguing objects for collectors.

Find vintage Arthur Umanoff bar stools, tables, benches and other furniture today on 1stDibs.