Michelangelo's David, a Victorian Plaster Statue, After The Antique

Salvaged from a church in Norfolk, this large antique plaster statue depicts St. Joseph holding the hand of a child believed to be a young Jesus. Dating from the late 1800s, this ecclesiastical statue is in good condition with only small losses and wear associated with age. Standing at more than 1.2m tall, this impressive Saint Joseph statue...

This impressive statue is a full-scale plaster cast of ‘The Apollo Belvedere’ made by the Louvre Museum workshops in the late 19th century. Detailed with a medallion to the base that reads ‘Musee Du Louvre’, the cast is taken from a reproduction of an original in marble currently located within the Vatican Museums, Rome. The original statue – which has been lost for many centuries – is thought to have been depicted in bronze and created by 4th century BC Greek sculptor Leochares between 330 and 320 BC. The size and grandeur of this magnificent plaster Apollo statue...

An antique classical maiden plaster statue dating from the early 20th century suitable for interior use. This piece is a wonderfully distressed statu...

A 19th century terracotta depiction of a shepherd boy based on the marble statue by late 18th/early 19th century Danish sculptor Bertel Thorvalsden. This terracotta statue once resid...

After the antique, a finely modelled and weathered limestone garden ornament. This classical sculpture is generally thought to be based on the story of the slaying of the Calydoni...

This impressive near life-size bronze statue named ‘Bertha’ is made by British artist David Backhouse. It was originally made for his exhibition at the Alwin Gallery in London in 1979. It depicts a crouching nude female in spectacular detail and is inscribed with the numbers ‘1,1’ making it a one-off piece. Signed by the artist, this bronze sculpture has a beautiful patina and a dramatic stance reminiscent of designs associated with the Art Deco period. It is a striking sculpture to bring elegance to an interior or garden. Considered one of Britain’s most respected sculptors, David Backhouse has a fascinating artistic career. One of his most famous works include the ‘Animals in War’ Memorial on the edge of London’s Hyde Park, a powerful tribute to all the animals that served, suffered and died alongside British and allied forces in conflicts of the 20th century. Throughout his career, he has held four one-man exhibitions in the spectacular Orangery set within the grounds of London’s Holland Park and exhibited across the USA and Europe. Additional information: Price includes Artist’s Resale Rights (ARR) at 4%. Sculpture only; blue plinth...

This is an extraordinary bronze sculpture of a Classic male nude by artist Dean Kugler. Attention to detail and complete understanding of the human figure are evident. The figure stands with most of his weight on one foot, contrapposto, and his arm stretched overhead revealing a powerful, muscular physique. With inspiration from Michelangelo's unfinished series of sculptures housed at the Galleria Dell'Acadamia Museum in Florence, displayed in the hall leading to Michelangelo's David sculpture, this figure too is bound within its own material symbolizing the eternal human struggle to free themselves from material trappings. The sculpture is beautifully custom mounted on a stone base. Dean Kugler Slave (after Michelangelo) bronze Measures: 20 H x 5 W x 5 D in 50.80 H x 12.70 W x 12.70 D cm DK0035 Kugler uses scale and the juxtaposition of disparate elements in order to engage and challenge the viewer. He combines elements such as strength and weakness or beauty and damage to be experienced simultaneously within the same piece of work to create a tense energy. Kugler also incorporates the technical skill of tight rendering with the dynamism of abstraction to create this energy to add additional excitement and intrigue to his aesthetic.   Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk...

Great bust in cast iron depicting David after the original by Michelangelo Good size at over two feet tall - 66 CM We have various pedestal stands to display this, let us know if you...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

Grand Tour Carved Marble Statue of the Empress Livia Drusilla After the Antique. A true depiction of the Classical Statue of Rome's First Empress. Livia Drusilla (30 January 59 BC – 28 September AD 29) was Roman empress...

After the Antique, a large 20th C plaster figure of a discus thrower 20th century (Pedestal not included), 100cm wide, 42cm deep, 168cm high (39in wide, 16 1/2in deep, 66in high) a...

Tall white marble statue possibly representing Livia or Pudicity, an 18th / 19th century "Grand Tour" copy after the antique. The original , larger sculptu...