Canestrella, vaso

A collection of centerpieces and containers in Jerissa stone and intertwined olive branches that reflect the theme of the traditional basket, reinterpreted; recovered from a distant ...

A collection of centerpieces and containers in Jerissa stone and intertwined olive branches that reflect the theme of the traditional basket, reinterpreted; recovered from a distant ...

A collection of centerpieces and containers in Jerissa stone and intertwined olive branches that reflect the theme of the traditional basket, reinterpreted; recovered from a distant ...

Cork and beige and gray Grolla marble generate a new collection, minimal in the sign but with great attention to its eco-sustainability; two regular shapes that arise from the concep...

Centerpieces and serving plates in marble and glass, a slow manual processing define new forms where lightness, transparency and thickness to the structural limit become The Protagon...

Centerpieces and serving plates in marble and glass, a slow manual processing define new forms where lightness, transparency and thickness to the structural limit become The Protagon...

Periodo del design 1960 - 1969 Periodo di produzione Ignoto Paese di produzione Austria Stile Vintage Stato Molto buono — Questo articolo vintage/antico non ha difetti Mater...

Vaso a Bollicine Carlo Scarpa Venini & C. 1932 Measures: height cm 34, diameter cm 25 XVIII Biennale di Venezia del 1932 Bibliography: Murano Mi...

In collaboration with the school Istituto Caselli and the Royal Factory of Capodimonte, Patricia Urquiola designed a limited edition of porcelain artworks that tell a story of alchemy and experimentation. The collection is produced by Made in Edit. Hybrida is a project that translates manual skills and artisan talent into hybrid shapes and figures that populate the table set up. Traditional handcraft processes meet experimental ones, like the immersion in porcelain of unconventional materials, such as sponges and cotton, alongside the mosses from the Real Bosco that surrounds the Royal Factory. The name of the collection is Hybrida, conceived to reinterpret the eighteenth - century theme of great masterpieces of the traditional culture of Capodimonte ceramics...

In 2020 MADE IN EDIT invites Patricia Urquiola to visit the Istituto a Indirizzo Raro Caselli Real Fabbrica di Capodimonte inside the Real Bosco, discovering its ancient tradition and the cloister where the school's didactic garden was originally located. The students of ceramic art have always used botanical references, taking them directly from plants, which are a primary source of inspiration and exercise. Hence the idea of "greening" this tradition: on one hand by reinventing a new botany of our time and on the other hand by thinking of providing the school with new plants for teaching. Thus the collection "Hybrida" for MADE IN EDIT was born: objects and centerpieces that bring an ancient model...

In 2020 MADE IN EDIT invites Patricia Urquiola to visit the Istituto a Indirizzo Raro Caselli Real Fabbrica di Capodimonte inside the Real Bosco, discovering its ancient tradition and the cloister where the school's didactic garden was originally located. The students of ceramic art have always used botanical references, taking them directly from plants, which are a primary source of inspiration and exercise. Hence the idea of "greening" this tradition: on one hand by reinventing a new botany of our time and on the other hand by thinking of providing the school with new plants for teaching. Thus the collection "Hybrida" for MADE IN EDIT was born: objects and centerpieces that bring an ancient model...

A silent object. The Inside Out Series. On the borders of silence An empty body Stares into the mist. Space refutes movement Re fl ects the image. Veiled, misty impressions. An arch...