Classic Basalt Wedgwood Bowl

A massive vintage Mexican glazed terracotta bowl with two applied handles and a beautiful drip glazed pattern on the interior. The exterior is u...

A beautiful vintage Mexican terracotta bowl with two handles, a ruffled lip, two large drip glazed splotches inside. The exterior is unglazed. Perfect f...

An incredible 18th century early American ash burl bowl from New England, probably New York, with an extraordinary tight burl grain pattern and a sm...

An incredible 18th century early American ash burl bowl from New England, possibly New York, with a heavy lip, spiral-cut ribbed sides, and an unbel...

A lovely assembled set of six early 20th century American Albany-slip glazed stoneware mixing bowls of simple but sophisticated forms in varied ...

A cool mid-20th century American industrial wire basket with a white plastic coating. Perfect for your fruit on the counter top of your Mid-Century Mod...

1970 Wedgwood jasperware footed bowl. Light blue jasperware with all-over white neoclassical motif. Signed on the underside.

Beautiful heavy handmade sandcast bowl in solid bronze from the 1970s. Perfect for fruit, snacks and sweets.

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine Eclipse bowl from Kiwano. Expertly crafted and finished by hand, our travertin...

A finely cut and polished crystal regency style Waterford Louise Kennedy bowl . The Regency shape is a time-honored style for good English cut crystal a...