Aluminum Decorative Bowls

Place this unique design on a favorite table for the perfect centerpiece or enjoy in the kitchen as a special fruit bowl. The die cast aluminum standing bowl...

Sit this unique design on a dining table as a beautiful serving dish or place in the entryway as a prefect general catchall. This die cast aluminum bowl...

The decorative Tray was created by David Marshall, it is made of sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain from recycled materials. Certi...

A new cast aluminum face bowl. Perfect for plants .

The decorative tray was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain from rec...

The decorative Coaster was created by David Marshall, it is made of sand cast aluminum and sand cast brass. We can engrave this piece with your Initials or Logo, makes a beautiful We...

The decorative Bowl was created by David Marshall, it is made of sand cast aluminum and sand cast brass. We can engrave this piece with your Initials or Logo, makes a beautiful Wed...

The decorative Fruit Bowl was created by David Marshall, it is made of sand cast aluminum and sand cast brass. We can engrave this piece with your Initials or Logo, makes a beautifu...

The decorative Oval Bowl was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain from...

The decorative Dish was created by David Marshall, it is made of sand cast aluminum and sand cast brass. We can engrave this piece with your Initials or Logo, makes a beautiful Weddi...

The abstract bowl was created by David Marshall, from sand cast aluminium. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop in Spain. It is certified authentic by the Artist David Marshall. He is insipired by nature and the landscaps making useful art with cast brass and alumium materials. We also make bespoke designs for clients, like signage for condominums, private homes, Hotels & Restaurants, awards for Charity...

The decorative Canoa Dish was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain fro...

The Itabira Collection is born from the nostalgic anguish of coming from a city surrounded by progress and destruction. The same opulence is tragedy. The studio got inspiration from ...

The decorative Basket Bowl was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain f...

The decorative Sweet Bowl was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain from recycled materials. Certified authentic by the Artist David Marshall with his signature. The Artist is inspired by nature and land scape...

The decorative Large Medusa Bowl was created by David Marshall, it is made of sand cast aluminum. Handmade, mounted and finished in our foundry and worksh...

The shallow small bowl was created by David Marshall, from sand cast aluminium. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop in Spain. It is certified authentic by the Artist David Marshall. He is insipired by nature and the landscaps making useful art with cast brass and alumium materials. We also make bespoke designs for clients, like signage for condominums, private homes, Hotels & Restaurants, awards for Charity...

The decorative Mesh Fruit Tray was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spa...

Aluminium Vide Poche by Henry Wilson Discard your day at the door. Your Vide Poche is designed with your loose-pocket items in mind – think keys, change and phone. It is made, po...

The Bowl was created by David Marshall, from sand cast aluminium and brass. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop ...

Round aluminum vide poche by Henry Wilson Dimensions: D 12.5 x 4 cm Discard your day at the door. Your Vide Poche is designed with your loose-pocket items in mind – think k...

The small Basket bowl was created by David Marshall, from sand cast aluminium and brass. All our pieces are handmade, mounted and finished in out foundry and workshop in Spain. It ...

The decorative Medium Mesh Fruit Bowl was created by David Marshall, it is made of sand cast aluminum . Handmade, mounted and finished in our foundry and workshop in Spain from recy...

The abstract bowl was created by David Marshall, from sand cast aluminium. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop in Spain. It is certified authentic by the Artist David Marshall. He is insipired by nature and the landscaps making useful art with cast brass and alumium materials. We also make bespoke designs for clients, like signage for condominums, private homes, Hotels & Restaurants, awards for Charity...

These cast metal vessels are indebted to origami forms. Available in brass and aluminum. Set of three. Founded in 2011, AKMD developed out of a thirteen-year friendship and design c...

A nickel-plated aluminum decorative bowl.  

Thoronet dish polished aluminium by Henry Wilson. Dimensions: D 5 x W 20 x H 30 cm Materials: aluminium Thoronet dish, shares its' name and arched lines with the Abby in the so...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Bowl nickel table in aluminium in nickel finish. Elegant center table bowl.

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Limited edition 'Mioevo II' cast bowl makes whimsical use of a worn plaster and brick motif. Comes with certificate of authenticity.