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Art Nouveau Austrian Vide Poche by Hoebrich

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    Leafy pendants adorn this fine cameo glass bowl by Daum, known for their singular pieces of art glass of the utmost quality. Daum has remained an impo...
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    Early 20th Century French Art Nouveau Decorative Bowls

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  • Baccarat Art Nouveau Centerpieces
    By Baccarat
    Located in New Orleans, LA
    This extraordinary and rare pair of centerpieces beautifully showcase the artistry of Baccarat crystal. Art Nouveau in style, the centerpieces feature large vases of frosted glass with masterfully cut designs at their flared peaks. Teardrop glass accents are elegantly draped from the vases’ rims, adding a delicate sense of movement to the stunning pieces. Three tulip-form shades of shimmering pink art glass are supported by gilded arms that protrude from the vases center in graceful arches, completing the stunning pieces. Exquisitely decorated with an etched floral motif, these centerpieces typify Baccarat’s interpretation of Art Nouveau. Baccarat has long been internationally recognized for its extraordinary crystal creations. During the mid-19th century, their tableware was favored by European royalty...
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    Antique 19th Century French Art Nouveau Crystal Serveware

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  • Art Nouveau Perfume Flacon
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    The elegance of rare silver overlay distinguishes this Art Nouveau glass flask. The flowing, graceful motif allows sections of the clear glass, and the co...
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    Early 20th Century English Art Nouveau Bottles

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  • Pre-Columbian Honduran Marble Bowl
    Located in New Orleans, LA
    This exceptionally rare Ulúa marble bowl displays the lustrous white glow of the stone vessels that are native to the Ulúa river valley region of Honduras. With its alluring fluid flow of relief carvings around the entirety of its form, it exemplifies the remarkable ability of the ancient craftsmen. Ulúa artisans used simple stone tools to create magnificent marble bowls...
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    Antique 15th Century and Earlier Colombian Other Decorative Bowls

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  • Italian Silver-Mounted Hardstone Centerpiece
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    This unique Italian hardstone centerpiece is a luxurious example of the Renaissance Revival style. The design is formed primarily from semiprecious s...
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    Antique 19th Century Italian Renaissance Revival Centerpieces

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    Stone, Amethyst, Multi-gemstone, Silver

  • George III Marble and Blue John Dolphin Tazza
    By Sir William Chambers
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    This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...
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    Antique 18th Century English George III Animal Sculptures

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    A French "Crabe", pâte de verre vide-poche by Amalric Walter. The reddish-brown crab has spots of dark green, red and yellow on the top portion of its shell. It sits on a green wave ...
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    Vintage 1920s French Art Nouveau Decorative Dishes and Vide-Poche

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  • Art Nouveau brass coupe / centerpiece / vide poche, France 1910s
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    Important Art Nouveau centerpiece / coupe / vide poche France 1910s brass, bronze H 14.5 cm x 24 cm diam. Conditions: excellent consistent with age and use. Wonderful patina. Int...
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    Vintage 1910s French Art Nouveau Decorative Dishes and Vide-Poche

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  • A French Art Nouveau Bronze Vide-Poches by Auguste Moreau (1834-1917)
    By Auguste Moreau
    Located in Saint-Ouen, FR
    A French Art Nouveau bronze Vide-Poche Centerpiece Depicting a Naiad resting by a shell on a rock Signed Auguste Moreau on the rock Three patinas Circa 1900 Auguste Moreau (1834-1...
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    Antique 1890s French Art Nouveau Decorative Dishes and Vide-Poche

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  • Art Nouveau Frog Motif Dish/ Vide-Poche by Achile Gamba-WMF
    By WMF Württembergische Metallwarenfabrik
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    Early 20th Century German Art Nouveau Decorative Dishes and Vide-Poche

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  • Daum Nancy Art Nouveau Pate de Verre “Noisettes” Vide Poche
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    A beautiful Art Nouveau Gouda pottery ashtray. Wonderfully colorful floral hand painted design, from Holland. This well made decorative object can also be used as a key holder/vide poche. Signed Dalia Konin Klyk, Coedewaalem, Gouda, Holland and numbered on bottom. Measures: 4 3/4 in. diameter x 2 3/8 in. high Other interesting information about this form of pottery: There isn’t a factory called Gouda Pottery; the pottery is called that because the main factories were in Gouda. Gouda (pronounced ‘how-da’) is the generic term we use for all the pottery factories in Holland – all Dutch pottery other than Delftware, that is. The area around Gouda had clay to make pots, which is why most of the factories settled there. A lot of the clay also came from England. The Dutch started producing clay pipes...
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