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Early 19th Century Irish Mahogany Writing Slope with Armorial Crest

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    Presenting an absolutely gorgeous and extremely unique and rare 19th Century British Tunbridge ware lap desk. This lap desk is unlike any of it’s kind we have seen before. From cir...
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  • 19th Century Irish Country Squires Mahogany Hunt Table
    Located in Dallas, TX
    Presenting a gorgeous 19th century Irish country squires mahogany Hunt table. This table was made in the late 19th century circa 1880, and is made of solid mahogany and sits on 8 legs with padded hoof feet. 2 drop leafs on either side supported by swinging gate legs on either side when upwards. Beautiful interlocking detail to the side leafs and central section. Oval in shape …. it would comfortably seat 8 people. Made in Ireland. This is a ‘Hunt’ table and not to be confused with an Irish ‘Wake’ table. Whilst ‘Hunt Tables’ and ‘Wake Tables’ are similar in shape and design their original purposes could not be more different. Wake Tables were made and used by indigenous Irish people for 2 purposes: (1) As a full functional dining table and (2) the central section had to be of sufficient width and length to support a coffin for the purpose of ‘waking’ the deceased in their home. Wake Tables were almost always made of oak, as this was the most common wood found in Ireland and therefore available to the ordinary (and poor) Irish Folk. Sometimes they might also be made of elm or sycamore. Hunt Tables. however, we not made for the purposes of holding a coffin or ‘waking’ the dead. They were made for the ruling classes, nobility or gentry for the sole purpose of use on the day of the ‘hunt’. This would be the fox hunting season of Fall and Winter, where the participants in the ‘hunt’ would gather at the local manor house early in the morning and the snacks and refreshments would be displayed for eating and drinking on the ‘hunt’ table. Hunt Tables are almost always made of mahogany which was an expensive and exotic hardwood imported from Cuba and the West Indies. When not in use they would be put up against a wall with the leafs down and items would be displayed on top. This table is obviously a ‘hunt’ table because: (1) It is made of mahogany (2) the central section is not wide enough to safely hold at coffin at rest. We are of the firm opinion that this is in fact an Irish-made Hunt Table due top the legs and padded hoof feet which more closely resemble the feet one would find on an Irish Wake Table...
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    Antique Late 19th Century Irish Georgian Dining Room Tables

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  • 19th Century Anglo-Indian Spice or Tea Caddy with Silver Mounts
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    PRESENTING A GORGEOUS 19C Anglo Indian Rosewood Caddy with Silver Mounts. Really nice and unusual, 19th Century Anglo-Indian Spice or Tea Caddy, from cir...
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  • 19th Century Samson Paris Porcelain Trinket Box
    By Samson & Cie
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    Presenting a gorgeous French 19th century Samson Paris Porcelain Trinket Box probably by Edme Samson. Marked on the base with “Made in France” and unmistakably in the style and manner of Samson. The lid features hand painted floral bouquets on an ivory porcelain background with gold edging, surrounded by a sky blue lid with gold web or crackling effect.. The lid is hinged and the lid and base are edged in floral gilt metal mounts with Fleur De Lis clasp. It sits on 4 gilt metal or ormolu feet. The sides are likewise hand decorated. This wonderful antique hand painted box is just bursting with History. Inspired by Edme Samson of Samson & Co., Paris. we believe (based upon the markings and natural aging) that it was made between 1880– 1890 in France and was meant to resemble an antique of a much earlier period. It is very similar to Sevres pieces with it’s color, decoration and design. Samson specialized in reproducing antiques from the 1600 and 1700s. One of his most interesting works was his Heraldic or Armorial pieces. With this medium sized box, he was not only copying the larger porcelain caskets or coffin boxes...
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    Antique Late 19th Century French Louis XVI Jewelry Boxes

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  • 19th Century Mahogany Writing Slope Befit with a Pair of Inkwells by J J Mechi
    Located in High Wycombe, GB
    Exquisite craftsmanship from the early 19th century a Mahogany writing slope befit with A black velvet interior & A pair of glass inkwells by J J Mechi of No 4, Leadenhall Street, City of London, circa 1830s Would make an ideal gift for the writing enthusiast or London historian. Item has lever action hidden compartment. Has an oval front brass plaque ideal for engraving a message if the item is a gift. Comes with the original heavy metal topped inkwells and notepad, modern quill and stand.Other items are shown for illustrative purposes. Alderman John Joseph Mechi (1802–1880) was a silversmith, banker, inventor and Alderman of the City of London. He experimented with new farming methods on his estate at Tiptree in Essex. Mechi was born in London 22 May 1802, the third son of Giacomo Mechi, a citizen of Bologna, who had settled in England early in life, was naturalised, and obtained a post at Kensington Palace in the household of George III. His mother was Elizabeth, daughter of J. Beyer of Poland Street, London. John at the age of sixteen was placed as a clerk in a house in Walbrook, trading with Newfoundland, a job he had for ten years. In 1828 he set up on his own account as a cutler in a small workshop at 130 Leadenhall Street, from where he removed to No. 4 in the same street in 1830. Between 1830 and 1840 he made his fortune through the 'magic razor strop' which bears his name After the Crimean war and a fashion for beards, sales declined. On 10 November 1840 he took out a patent for 'improvements in apparatus to be applied to lamps in order to carry off heat and the products of consumption'. This was for the external shop-window lamps...
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