Murano Glass Candlesticks Set of 3

A pair of English brass candlesticks with a heavy Morrocan influence. Profusely engraved in super fine detail. Removable tops.

Pair of wrought iron floor torchieres with three arms.

A pair of faux Antler candelabra.

Pair of rustic silverleaf 19th century French candlesticks.

Pair of hand blown Murano art glass candy compote bowls, circa 1940s.

Vintage Hollywood Regency-style crystal glass urn lamps mounted on a brass base. Wired for the US.

Interesting set of 4 murano glass candlesticks in the style of Elsa Peretti.... all 4 are signed on the bottom.

This stylish and chic set of Seguso Murano glass candlesticks will make a statment with their size, form and use of materials. Note: The tallest has silver/pewter colored accents ...

Set of four green Murano glass candlesticks with shiny gold flecks and ribbed details. In the style of Salviati. Made in Italy, c. 1950's. Dimensions (each): 6"H x 5.25"D

A circa 1950's Italian blown glass Murano candlestick. Measurements: Height: 14" Diameter (base): 5.75"

Signed vintage Mid-Century rare set / collection or ensemble of turquoise / green 'scavo' glass candlestick holders attributed to Antonio da ...

A Set of three stunning midcentury Modernist hand blown Murano glass candlesticks signed by Cenedese. These candlesticks feature a tapered teardrop design made of hand blown Murano glass. Each candlesticks form features a spherical topper that is accentuated with an interior detail of blue Murano "Sommerso" technique of glass that gives a multi-dimensional design. The teardrop form base that supports the spherical toppers also features an interior detail of blue Murano glass that accentuates their overall chic design. circa 1980s Measurements: Tallest: height: 14.75 in. Mid: height: 12.75 in. Shortest: 9.75 in. Biography: In 1946, after spending his youth at the school of the great masters of the time, Gino Cenedese founded his glassworks together with the great masters Alfredo Barbini, Gino Fort, Angelo Tosi and Pietro Scaramal. Remaining sole owner in 1949 following the withdrawal of the partners, Gino Cenedese was able to combine a series of distinctive characteristics: the centuries-old tradition of Murano glass with the creativity of the 18th century masters, the destiny of being born on an island of master glassmakers with artistic sensitivity and entrepreneurial courage, technical expertise with a vocation for excellence. Under his leadership, the company soon acquired international fame for the value and exclusivity of its production, establishing itself as one of the most qualified on the island of Murano. From that moment on, the glassworks developed in two directions: on the one hand, it continued the ancient tradition of Murano art glass, with its Classic blown glasses, vases, plates, risers and Venetian chandeliers; on the other hand, it welcomed the suggestions of contemporary art, driven by the continuous search for new techniques and effects made possible by the glass material. Fruitful collaborations with artists and designers thus developed. From 1953 to 1958 with the artist and sculptor Napoleone Martinuzzi, who created female figures in solid glass, decorative bas-relief panels and large chandeliers. Again, with the painter Luigi Scarpa Croce, who created new shapes in submerged glass or, from 1954 to 1962, with designer Fulvio Bianconi, whose creations were exhibited at the Biennale in 1954. Between 1963 and 1972, the collaboration with the master glassmaker Ermanno Nason developed, who was granted great creative freedom: this allowed him to give life to an extremely varied production, always in search of the highest quality and excellence, which is still unequalled today. The collaboration with the American artist Harold Stevenson also dates back to this period: he conceived unique sculptures inspired by the changing colours of the Venetian lagoon. In 1958 Ars Cenedese began his collaboration with Antonio da Ros, who had just graduated from the Art Institute in Venice: he brought with him a vital and enthusiastic approach to glassmaking, experimenting with new colour effects in submerged glass. At the 1960 Biennale, he presented his ‘Contrappunti’, tones of submerged colours that won him the prize for the glass art section...