French Sterling Silver Clock and Ink Stand, circa 1875, Minerva Mark

A Rare Austro Hungarian Gilt Silver & Jeweled Table Clock, Circa 1900, having semi precious stones throughout including agate, malachite, amethyst, pearl, coral and enamel DIMENSIONS...

A French Charles X period ormolu mantel clock. The drum case flanked by a young couple standing under a palm tree with flowers all around, while the lady touched the man's hand. The...

A very large and impressive 19th century Empire style gilt and patinated bronze malachite mantel clock depicting 'Psyche Crowning Cupid.' Psyche crown...

A French Antique Empire Gilt Bronze Silk Thread Mantel Clock The neoclassical theme with a lady and a mandolin.The clock retains its original blued steel Breguet style hands. The ...

Fine 19th century French gilt bronze mounted Rouge marble 3-piece figural clock set Clock: Height: 19.5" Width: 10.5" Candelabras: Height: 22.5" Width: 9"

A late 19th century French ormolu bronze and champlevé enamel 8-day regulator clock, circa 1890. Origin: France. Height 18.5". Width: 9.5". Depth...

The central decoration of two lovers in a landscape. The base with a freely painted floral bouquet within a rococo cartouche. The arcuated top with a landscape.

Modeled with foo-dog perched on a rock and leaning on a clock as it emerges from the waves.

Three piece French bronze and marble clock garniture, circa 1875.

A French Neoclassical Style Gilt and Patinated Bronze Portico Clock, Retailed by J. E. Caldwell & Co., Philadelphia, 19th Century. The circular enamel dial having Roman numerals and ...

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...