Eugène Feuillâtre Silver and Plique-à-Jour Enamel "Capucines" Desk Clock

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

A French Art Nouveau silver and enamel vase by Eugène Feuillatre. The vase is decorated with leafed branches holding pink and gold cloisonné flowers ...

This Camille Gauthier “Capucines” games table was an Art Nouveau take on the 18th century Turret-top card table, popular across the courts of Europe and their colonies. Their form wa...

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This French Art Nouveau enameled and etched "Fleurs et Abeilles" glass vase by Daum Nancy features an unusual and wildly undulating form that is countered neatly by the tightly executed landscape that decorates its organic curves, bulges, dips and valleys. Climbing from a deeply, darkly colored base upward to the bright, nearly translucent bright yellow rim of the vase are a field of ultra-finely rendered red orchid blooms with framing leaves...

This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)

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This enameled silver desk clock is unsigned, so a specific maker cannot be identified, but the case was made in France, and the movement in Switzerland in the period and style of Art Deco. The silver content of the case has not been tested, but is believed to be Continental or .800 or just under .925 sterling, The front of the clock is ornately enameled with raised bright red flowers on each corner with contrasting black and red geometric panels with green accents, which are duplicated on the sides. The hinged back opens to gain access to the winding mechanism and the high grade Swiss movement has been professionally serviced and works well. Although barely visible, the clock is stamped on the bottom with a French...

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