Desk Accessories

Oak magazine rack, lined with red leather, made by Casa COMTE (1932-1960). Bibliography Mo Amelia Teitelbaum (2010), “Los Creadores de un Estilo, Minimal...

HERMES 2000 is a Swiss product, made in the 1930s by the E. Paillard Company, based in the city of Yverdon Fully functional Made of metal, steel, chrome, f...

Exceptional Karl Hagenauer statue of a female dancer sculpture, commonly titled as Josephine Baker, cast and nickel plated brass, circa 1930s. , manufactured by Werkstätte Hagenauer ...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Small footed stoneware Argenta dish by Wilhelm Kage for Gustavsberg, Sweden. Decorated with trefoil flower sprigs and banding to rim and foot with applied silver A lovely 'introducti...

This stunning Art Deco Bakelite desk accessories writing set dates from the 1930s. The set is built of five pieces in its original box: a letter opener, paper cutter, pen holder, mec...

Letter Opener by George Omerth Origin France Circa 1920 art deco style Excellent condition Gilt bronze and patina Omerth's life dates are not known in literature. He was a student of...

An Art Deco Desk Tidy/ Pin Tray. Bronze tiger mounted ob an oval onyx base. Retailed by Asprey of London Dimensions: H 8cm W 16.5cm D 25cm Origin: English Date: Circa 1925 It...

A most impressive fine quality antique Louis XV style French ormolu encrier / inkstand. Born in France in the 19th century, almost certainly Parisian work, exquisitely chased, chis...

Elegant Art Deco Black & Gold Desk Tidy is a stunning piece that exudes sophistication and style. Crafted from black glass, this desk tidy features intricate gold detailing that adds...

Art Deco Saart Brothers, sterling silver and white guilloche enamel with a floral vanity, dresser brush set. Marked with Saart Brothers hallmark and ster...

This antique executive desk tray has no maker's signature, but presumed to have originated from England and date to approximately 1920 and done in the period style. The holder is con...

Investing in this Art Deco Porcelain Inkwell by A. Godard for Etling Paris, circa 1930, is an opportunity to own a piece of exquisite craftsmanship that encapsulates the essence of t...

A gorgeous antique gilt bronze Neoclassical or Adam style inkwell By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.25"W x 3.25"D x 2.75"H...

A Beautiful Letter Stand with Thuja burl from the 1930s. Very period Art Deco design. The letter stand designed with a drawer, rack for letters and pens. Wear consistent with age an...

Antique Frankart Art Deco Gilt Cast Metal Figural Deer Bookends C1930 Measures - 6.5"H x 7.25"W x 3.5"D

One of the all time most beautiful and unique ball point pens by Cartier, the rare 80's version Vendome Crosshatch Cisele. The pen is a special in almost every way; the cross section...

These are a good pair of Art Deco period, Book ends of two Pelicans hand carved in wood. Each stylised pelican has been well hand carved in a dark hardwood and stands on a base f...

In 1939, Toronto-based Addison Industries Ltd., a Canadian company, was founded focussing on the production of commercial tube radios. The Model 5 “Big Addison” series, featured her...

Apache indian Chief Head Car Mascot - Hood Ornament / Paperweight. Designed by H. Briand publisher, Paris. Silvered bronze. Mounted over a black marble base. It has a hole at the ba...

Franke & Heidecke Rolleicord Ia Model 1 - Model K3 - 520 Twin lens Reflex Camera 120 Sheet Film Camera Made In Germany 1936-1937 Highslide JSMarch 1936 - May 1937, 9,459 pieces. Se...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

French Art Deco palisander and pewter inlaid inkwell with 2 crystal wells.

Vintage white bakelite 1930s glamor telephone made by Bell Systems for the Western Electric company. This phone is present in many Hollywood Glamor fi...

Art deco paperweight circa 1930. Kingfisher in silvered bronze on a black marble base veined with white. Signature on the base P. Sega for Pierre Sega. In perfect condition. Height:...

Art Deco Desk Set is a captivating blend of timeless elegance and functional design. The centerpiece of this ensemble is the charming Penguin Statue, reminiscent of the iconic design...

In 1939, Toronto-based Addison Industries Ltd., a Canadian company, was founded focussing on the production of commercial tube radios. The Model 2 “Small Addison” series, featured h...

Gorgeous and very refined Art Deco French writing set made of hardwood, inlaid bone simil and glass. The complete set is preserved in perfect condition, consisting of the inkwell, th...

In 1939, Toronto-based Addison Industries Ltd., a Canadian company, was founded focussing on the production of commercial tube radios. The Model 5 “Big Addison” series, featured her...

Eastman Kodak Vest Pocket Model B 127 Film Folding Camera With Original Branded Cardboard Box & Paper Booklet Ref: 27323 Around 1925, a successor to the Vest Pocket Kodak was rele...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

Elegant Art Deco 1930's Monochrome Desk Set. Befit With Two Engine Turned Inkwells with Glass Linings and Lids That Retract. Fixed Pen Tidy and A Central Calendar. With A Green Baiz...

This beautiful cameo glass inkwell displays the brilliance of the renowned Daum Nancy, a firm long celebrated for their masterful ability to recreate the beauty of nature in glass. A...

Vintage Jacques Adnet style Art Deco black leather saddle stitching with metal brass desk set. A modernist desk accessories set designed by ILG, Belgium, in the 1950s. Art Deco styl...

Vintage Hermes Leather and Bronze Desk Magnifying Glass Elegant gilt bronze magnifying glass with black leather handle stamped Hermes Paris from th...

Hallmarked in London in 1935 by Collett & Anderson, this stylish, George V, sterling silver rocker blotter, is in the Art Deco style, with a tortoiseshe...

Art Deco note pad, Vienna, circa 1920 Brass polished and stove enamelled.

Machine Age / Art Deco Electric Fan / Heater by ORLI... wORKING Perfectly.. Amazing design,, Wonderful original condition,

Beautiful elegant mirror shine, Letter holder like new condition circa 1940's stamped made in Italy great for Mid Century Danish Modern Deco decor.

This French Lapis Lazuli and Silver Inkwell, crafted by Gustave Keller in the 1920s, stands as a truly exceptional piece of artistic and functional craftsmanship, radiating with a ti...

An Original Tiffany & Co Sterling Silver Bookmark In The Shape Of An Open-Book Stamped Tiffanys and 925 on Reverse & In Original Iconic Blue Presentation Velvet Dust Sheet & Box ...

Ecritoire Art Déco en bronze et bois de corail. Les encriers, vide poche, presse papier, cachet à cire, coupe papier, base en bois de corail. Bronze à décor ciselé : femme danseuse ...

Beautifull Art Deco desk set in Alabaster and Bronze with large decorative Elephant, inkwell and carved area as penholder. This is a wonderful piece ...

Art Déco german silvered/plated metal pen tray and inkwell decorative desk stand by Württembergische Metallwarenfabrik (WMF) By: Württembergisc...

Art Deco silver plated bronze sculpture of a rabbit hare. Lovely paperweight. Edouard Marcel Sandoz (1881-1973). Signature/ Marks: Ed.M. Sandoz - Susse Fre'...

French designer Jacques Adnet (1900-1984) designed this elegant Art Deco modernist chromed metal desk accessory, or office waste basket. The minimalist geometric round shape features a typical Art Deco design with slim columns resting on a rounded base with tiny bead...

Antique English page turner from sterling silver and tortoise shell. Most rare piece, made and stamped by Grey & Co. London, possibly for Asprey London. The Stamp is the London Lion,...

Pair of squirrel book presses model N° 453, made of bronze with green patina and with a green marble base. Made by Max Le Verrier (1891- 1973). Signed M ...

Inkwell “Colbert” made in clear glass with sepia patina by René Lalique in 1924. Molded signature. Lalique made 50 pieces of this model. All are numbered and ours is N°2. Perfect c...

The set of 4 pedestal boxes are the perfect home accents to add elegance and functionality to your space. These can be used as a vanity set for your bathroom, in your office to store desk...

Ink Pad by Le Verrier in Bronze Gold and Green Color France Signed

Art Déco english square shapped cut crystal inkwell with brass/bronze spherical top By: unknown Material: brass, bronze, cut glass, glass, metal, crystal, copper, zinc Technique: ca...

Presenting this fabulous "Chrysis" nude woman mascot or paperweight crafted in etched and polished amber crystal. This example is a limited edition release from the late 1990s produc...

Pair of bronze and marble bookends, signed H.M. White. England, circa 1920. With Chinese children studying.      

Art Deco bookends, curiosity, they are two figures sculptures in the shape of a horse, in white/grey veined marble They are very decorative functional pieces and at the same time th...

Art Deco Sealing Wax Desk Set, London, circa 1920. Stamped at the bottom "H&H" for its firm Hukin &Heath, and a silver mark "9025". Comprising: Seal, Match Strike & Holder, Candle Ho...

Eastman Kodak Co No. 1 Pocket Kodak Jr. 120 Roll Film Folding Below Camera with 112mm F6.3 Anastigmat Lens Made between 1910-19 Number 36241, with ball bearing shutter Made in Ro...

Kodak No 2 Hawkette Marbled Bakelite 120 Roll Film Strut Folding Camera With Meniscus Lens & Rotary Shutter Made in the UK 1930's Constructed from brown bakelite moulded components ...