Bronze Desk Accessories

A Louis Philippe bronze and ormolu desk set, comprising two ink wells and a powder shaker in the form of crenelated urns with anthemion-bud finia...

An Unusual 20th Century Italian Silvered Bronze Mounted Clear-Over-red crystal box The box is composed of two sections of Italian clear-over-red crysta...

A Fabulous pair of French Louis XVI style dore bronze mounted hand carved rock crystal swirling spiked candlesticks, attributed to Baguès. Each candlestick is exceptionally hand carv...

Handmade bronze inkwell consists of three removable cups, the largest of which has a removable top. Inkwell depicts leaves and flowers. Signed VieiAard.

Bronze sculpted figure Athena, Goddess of Wisdom, is seated with two scrolls, one in hand the other placed upon nearby column, is classically dressed in robe with empire bow and hair...

This heavy bronze abstract Mid-Century Modern sculpture entitled "Worshipper" is by a sculptor named Albers Henselmann, circa 1890-1974. The original label is on the bottom. From eve...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Ancient Greek Bronze Spartan Corinthian Helmet in a miniature size. Womderful desk weight in amazing painta. Great texture and weight to this helmet. M...

The equator bowl is a Brutalist sculpture made of hand carved craters throughout its bronze body. The outer surface is a blackened patina and the inner is a matte shiny raw bronze...

Apache indian Chief Head Car Mascot - Hood Ornament / Paperweight. Designed by H. Briand publisher, Paris. Silvered bronze. Mounted over a black marble base. It has a hole at the ba...

Little is known about the origins of this amazing lamp, apart from it being from France, circa 1900.

Little is known about the origins of this amazing piece, apart from it being from France, circa 1900.

A very fine vintage Italian volterra alabaster marble “pomme d’or” apple with bronze stem, by Ducceschi, hand-carved in Italy circa late 1960s. The apple itself is a fine golden cara...

An Art Noveau or Jugend patinated bronze pen and inkwell with an owl sitting in the center. The owl have inset glass eyes. Made ca.1900. Possibly Swedish. Symbolism of the owl: The...

Open letters by C. villain Origin France Circa 1915 Empire style patinated bronze Soldier motif Excellent condition signed on the side FRENCH, 1853-1910 Jean Garnier was born in Mou...

A most impressive fine quality antique Louis XV style French ormolu encrier / inkstand. Born in France in the 19th century, almost certainly Parisian work, exquisitely chased, chis...

A fine antique French Grand Tour cast bronze hippocampus, seahorse statue desk ornament, circa 1820. This wonderful bronze is cast by the lost wax method (cire perdue), it depicts a ...

Michel Mangematin stone shaped paperweight, circa 1970, France. Polished bronze. Signed with the two inverted M and numbered 16. Dimensions: 7 cm W, 5 cm D, 3 cm H. All purchases ar...

Open letters by Alfred Jorel Origin France Circa 1915 Gilded bronze Art nouveau style Excellent condition with some wear due to age. Jorel was a student of the sculptor Jean Carlus. ...

Les sept Péchés capitaux (The seven deadly sins), by Line Vautrin. Gilded bronze paperweight decorated on both sides with the faces of the seven Deadly Sins. On one side, lust, lazin...

An Art Deco Desk Tidy/ Pin Tray. Bronze tiger mounted ob an oval onyx base. Retailed by Asprey of London Dimensions: H 8cm W 16.5cm D 25cm Origin: English Date: Circa 1925 It...

Letter Opener by George Omerth Origin France Circa 1920 art deco style Excellent condition Gilt bronze and patina Omerth's life dates are not known in literature. He was a student of...

This is one of a kind bronze letter opener from the period just after Napoleon's death. It is a testament to his popularity that even letter openers featured his face.

A highly collectable letter opener or paper knife made in gilded bronze and dating to c.1960; a scarce-find in the gold colour. The handle is in the form of a horse head, beautifu...

Group of Four French Decorative Items including 19th century figural letter opener 1.5" x 1.5" x 8.25" French metal helmet paperweight base: 3.75" x 4.5", helmet 2.5" x x2", Overal...

A gorgeous pair of Art Nouveau or Arts & Crafts period patinated bronze "pine needle" blotter ends with custom black leather desk blotter By Tiffany Studios (signed to the underside...

A gorgeous antique gilt bronze Neoclassical or Adam style rocker blotter By Tiffany Studios (signed on the side) New York, USA, Early 20th Century Measures: 5.5"W x 2.75"D x 2"H ...

A gorgeous antique gilt bronze Neoclassical or Adam style notepad holder By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.63"W x 7.38"D x...

A gorgeous antique gilt bronze Neoclassical or Adam style inkwell By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.25"W x 3.25"D x 2.75"H...

A gorgeous pair of Art Nouveau or Arts & Crafts period patinated bronze "pine needle" blotter ends with custom black leather desk blotter By Tiffany Studios (signed to the underside...

Constanti, a Limited Edition series of cast Bronze, Brass or Leaded Bronze in Polished, Brushed or Rustic finish by Costantini founder William Stuart in homage to Brancusi. Each p...

Large writing case with compartments, forming an inkwell and pen holder, from the Napoleon III period, in rosewood marquetry and interiors of the compartments in speckled maple, with...

Another rare antique for the collectors and enthusiasts of Gothic art. This sizeable and very stylish inkstand was all-handcrafted in the late 19th century and it could hardly be in...

Cast bronze hand in the style of Pietrina Checcacci. The hand is hollow with many intricate knuckle and finger nail details. Crafted to perch on a flat surface and positioned as desi...

This is a small vintage model boat. A Continental, bronze desk ornament or decorative coin tray, dating to the mid 20th century, circa 1950. Tact...

Heavy bronze metal bank savings department manager desk name plate in very good condition, circa 1925. Has felt material on the bottom.

A Napoleon III bronze inkwell Encrier. Three winged cupids holding up a bowl with masked faces with an eagle standing atop. Dimensions: H 16cm W 11cm D 8cm Origin: French Date: ...

Art deco paperweight circa 1930. Kingfisher in silvered bronze on a black marble base veined with white. Signature on the base P. Sega for Pierre Sega. In perfect condition. Height:...

We would like to present you with this magnificent 19th-century Empire-style inkwell from the Napoleon III era adorned with a raised imperial eagle motif positioned between the two i...

A wonderful polished bronze and enamel by famed Italian artists, Studio Del Campo. Signed. Includes a letter tray and opener.

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

Rare and important French Napoleonic ink stand with female sculpture. This hand-crafted and sizable ink stand of marble and gilt bronze is signed by the renowned French sculptor Mar...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

This exquisite cast bronze sprung hinged letter/document clip from France circa 1880 is a stunning example of functional artistry. Crafted in the form of a crane's head, it embodies ...

Solid Brass Three Wise Monkeys Paper Weight , France 1970s

French Louis XIV Style Gilt Bronze Foliate Form Inkwell 20thC Measures- 2.75''H x 7.5''W x 5.75''D

Neoclassical Rococo Reticulated Foliate Form Gilt Bronze Letter Holder with Cameo, 20thC Measures- 11.5''H x 10''W x 4.5''D

Vintage Hermes Leather and Bronze Desk Magnifying Glass Elegant gilt bronze magnifying glass with black leather handle stamped Hermes Paris from th...

Desk paper holder made of gilded bronze (Ormolu), “Tree of Life” model, made by TIFFANY Studios. Signed TIFFANY STUDIOS, NEW YORK, 1021 United States, CIRCA 1900.

A gorgeous pair of Art Deco or Arts & Crafts period gilt bronze blotter ends featuring symbols of the Zodiac with a custom brown leather desk blotter By Tiffany Studios (signed to t...

Elegant Jugendstil Bronze and Brass, Table or Desk Lamp with mother and infant chimpanzee sculpture. We are happy to offer you another one of our recent great finds. This truly wond...

A gorgeous Arts & Crafts period "Bookmark" pattern gilt bronze inkwell By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.25"W x 4.25"D x 2...

A gorgeous antique gilt bronze pen tray featuring Zodiac designs By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 10"W x 3.13"D x 0.5"H Ve...

Magnificent gilt bronze stamp representing Ophelia, character from Shakespeare's famous play "The Tragedy of Hamlet, Prince of Denmark", more commonly referred to by the abbreviated ...

Antique Vienna Bronze Parrot Bird Sculpture Inkwell

A gorgeous pair of Art Deco or Arts & Crafts period gilt bronze "American Indian" pattern blotter ends, with a custom blue leather desk blotter. By Tiffany Studios (signed to the un...

Massive Art Nouveau Bronze Poseidon Inkwell, by Hans Müller Austrian, circa 1900. Behold the Art Nouveau Bronze Poseidon Inkwell, a masterpiece attributed to the skilled hands of Ha...

Vase with bronze pot with Cloisone technique and plants of hard stones.