17th Century Frame Carved and Gilded Mecca Wood

17th century Guilloche frame in ebonized finish Wood, cm 89 x 79 Referable to the seventeenth century, the ebonized frame examined has a carving called guilloché, whose band loo...

17th century. St. Paul Polychrome and gilded wood, 130 x 66 cm The sculpture analyzed here shows a strong plastic and volumetric vigor that gives a sense of immediate natur...

17th century, Venetian School Stipo - Casket Lacquered and gilded wood, Measures: H. 46 cm; 50 x 31 cm Elegant cabinet of imperious and noble presence. The leonine corbels highl...

Rome, 17th century Pair of angels Gilded wood, cm h 92 - Base, cm 25 x 40 The pair of putti examined is a masterpiece of the Roman Baroque period, a period of pomp and opulence w...

17th century St. Nicholas Polychrome carved wood, h. 133 cm In the past, wooden statues were frequently commissioned to artists for the results of intense naturalism that emoti...

17th century Crucifix Measures: Boxwood, 42 cm high x 8 x 14 The sculpture depicting the crucified Christ examined here represents a refined example of seventeenth-century cabinetry in boxwood. The figure of Christ, now dead on the cross, is part of a precious artistic choreography with the structure of the cross and its pedestal, both decorated with tortoiseshell mirrors, ivory threads to emphasize the structure of the cross and elements in ebonized and carved wood to highlight the architectural structure of the pedestal. The departure of Christ is evident from the lowered head, from the open hands...

Frame. Carved and gilded wood. XVII century. Frame for tondo (the interior space is circular) made of carved and gilded wood, decorated with architectural reliefs of classicist infl...

Framework. Gilded and polychrome wood, 17th century. Presents loss in lower left area. Frame made of carved wood gilded and polychrome in certain areas that presents a decoration bas...

17th century wood frame is an original ancient object realized in Italy in the 17th century. Original wood. Very good conditions. Exceptional frame in carved and gilded woo...

Dutch style curly frame. Ebony. XVII century. Rectangular frame made of carved ebony wood and decorated with a series of bands parallel to each other, of different widths and alter...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...

Dutch style curly frame. Ebonized wood. XVII century. Rectangular frame made of carved wood and decorated with a series of bands parallel to each other, of different widths and alte...