Carved and Gilded Wood Frame, 18th Century

Framework. Carved and gilded wood, 18th century. Rectangular frame with a semicircular finish in the center of the upper part, crowned by a composition with leaves and elements of ...

Framework. Golden wood, 18th century. Frame made of carved and gilded wood that has a series of moldings inside forming an octagon and a composition openwork towards the outside wi...

Rectangular frame made of carved and gilded wood that combines a smooth thin band inside, with another carved with fajada band and another, to the outside, which combine smooth areas with delicate plant details (these in the same finish as the rest of the molding, highlighted on a striped background). Currently, the value and appreciation of the frames are on the rise due to the search for them by the museums and important institutions, with the aim of giving the works the frames they would have in origin. Hence, similar examples are found in some Vermeer paintings...

Frame. Carved and gilded wood. XVII century. Frame for tondo (the interior space is circular) made of carved and gilded wood, decorated with architectural reliefs of classicist infl...

Polychrome and gilded wood frame. Late 18th century. Rectangular frame with golden seed beads on a red background and elements related to the Passion of Christ in shields in the corners and center of the longest sides: dice, nails, bag (of the Judas coins...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...

17th century, central Italy Frame Carved and gilded mecca wood, 67 x 92 cm Light 45 x 71 The frame in question is gilded mecca wood, carved with leaf decorations on two o...

Beautiful antique Italian poplar wood large frame. This majestic frame is characterized by a refined wood carving work with elaborate decorations. On the front two large heads of ang...

Original 18th century hand carved painted and applied ornament picture frame; continuous carved floral motif.

A rare Venetian hand-carved and gilt picture frame, with hand-painted detail and background panels. Opening size: 24 1/2" x 19 3/8".

A work of 25" x 30" will fit this great frame that will highlight any great work of art worthy of this great frame. In cm about 24 3/4" x 29 .5" AND 33" x 37.5" overall. A very subst...

by LUCA MOMBELLO (Orzivecchi, 1518/1520 - 1588/1596) Carved, gilded and polychrome wooden frame Water gilding Brescia (Italy), mid-16th century Outside cm 125x106x9 B...