Sculptures

A Large French Terracotta Figure of Bacchus and a Beauty, Signed Albert Ernest Carrier-Belleuse. This terracotta sculpture is a representation of the 1868 work by French sculptor Alb...

A wonderfully unique true pair of French 19th century Louis XVI st. Terra Cotta and Marseilles Pink marble busts. The busts are of a young boy and you...

A lovely and affectionate true pair of French 19th century Louis XVI st. Alabama Rose Marble, Ormolu, white Carrara marble, and Bisque Porcelain statues...

A striking and high quality French 19th century Louis XVI st. ormolu and patinated bronze statue of a pheasant, signed Dubucand. The impressive statue is raised by a circular mottled...

A charming and very high quality French 19th century Louis XVI st. patinated bronze, ormolu, and Notre Dame marble statue signed Clodion. The statue is raised on an elegant Notre Dam...

A striking and most elegant pair of French 19th century Louis XVI st. patinated bronze and ormolu cherubs busts. Each charming and high quality bust is rai...

A most charming and high quality French 19th century Louis XVI st. patinated bronze and ormolu statue, signed E Drouot. The statue is raised by a circular ormolu base with a mottled ...

A beautiful and unique true pair of French 19th century Louis XVI st. patinated bronze, ormolu, malachite and crystal statues. Each high quality statue ...

A high quality and most charming French 19th century Louis XVI st. patinated bronze, giltwood, and Rouge du Languedoc marble statue. The statue is r...

An elegant and high quality Belgian mid 19th century Louis XVI st. ormolu and Sarrancolin marble statue signed Charles Samuel 1894 and Petermann Fondeur Bruxelles. The statue is raised by a beautiful stepped mottled Sarrancolin marble base with finely sculpted block feet. The striking ormolu statue above depicts a beautiful maiden draped in a wonderfully executed flowing garment with her hair tied in an updo while holding a cornucopia overflowing with coins in her arms symbolizing abundance and prosperity. She is standing on a wheel amidst three cherubs on a wonderfully executed ground like design. All original gilt throughout. Charles Samuel (1862, in Brussels – 1939, in Cannes) was a Belgian sculptor. Samuel was born in Brussels and trained there. He studied sculpture with Eugène Simonis, Joseph Jaquet and Charles van der Stappen, and medal-making with the goldsmith and sculptor Philippe Wolfers...

An elegant French mid 19th century Louis XVI st. patinated bronze and ormolu statue of a maiden, signed by Alexander Schoenwerck. The bronze is raised by an impressive Black Belgium ...

A charming and high quality French 19th century Louis XVI st. ormolu and patinated bronze statue of young Cupid and Psyche, titled "DÉSARMÉ!", signed by Auguste Moreau. The beautiful...

A wonderful pair of French 19th century Louis XVI st. patinated bronze and ormolu statues. Each statue is raised by a circular ormolu base with a fine wrap around beaded band. The ch...

An Early 16th Century Stone Carving with polychrome : 'The Death of a Prelate'. The enthroned figure of a Bishop surrounded by attendants and surmounted by celestial angels.

A fine quality French 19th century Louis XVI st. ormolu and patinated bronze signed J. Gautherin. The statue is raised by a circular mottled patinated bronze base where a stamp of th...

A charming and high quality French 19th century Louis XVI st. Napoleon III period ormolu statuary grouping of Jean de la Fontaine's Fable "Le Loup plaidant contre le renard par-devan...

A very handsome and high quality pair of French Louis XVI st. ormolu and Rouge Griotte marble statues. Each is raised by an ormolu bottom plate below the mottled edge circular Rouge ...

A charming and high quality French 19th century Louis XVI st. patinated bronze, ormolu, and Sienna marble statue. The small scale grouping of three charming cherubs is raised by a ci...

A high quality and extremely charming French 19th century Louis XVI st. ormolu and Rouge Griotte marble statue. The statue is raised by an elegant circular Rouge Griotte marble base ...

A stunning French 19th century Louis XVI st. patinated bronze and ormolu bust, signed H. DUMAICE. The bust is raised by a square patinated bronze base with the inscription ROSE de MA...

A sensational and large scale French 19th century Louis XVI st. bronze statue of L'Enlevement des Sabines on its original Base. The high quality bronze is raised by a circular fluted...

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (19...

Sèvres (Attributed) biscuit porcelain and ormolu bust of Marie Antoinette after Felix Lecomte (French sculptor 1737-1817) exquisitely cast and modeled, the face in white biscuit porc...

Cast bronze life size gothic skeleton / bone praying hands sculpture, titled on base Eternal Hope and signed Park '92. In the style of Blackman Cruz Workshop.

Sculpture of a Baby in Fine Plaster, XXIst Century. Sculpture of a Baby in fine plaster, 21st century. H: 55cm, W: 30cm, D: 21.5cm

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

A handsome true pair of French 19th century Louis XVI st. Giltwood and Terra Cotta dog statues. Each statue is raised by an oval shaped Giltwood pedestal with mottled edges and a den...

A French bust in bronze with original gold patina is derived from a masterpiece by Jean-Antoine Houdon. The original Bust of Louise Brongniart (1772-...

A stately and most unique Italian 18th century Louis XVI st. Rock Crystal and Giltwood obelisk. This wonderful obelisk is raised on an octagonal mottled base decorated by finely carv...

A lovely French 19th century Louis XVI st. patinated Bronze and black Belgian Marble cherub statue. This charming statue is raised by a rectangular black Belgian Marble base with a s...

Spanish sculpture "Pieta" 16th century sculpture in stone Nossa Senhora, is represented seated securing Jesus Christ. Measure: Height: 52 cm. Very good condition.

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

Very rare, 19th century statuette of Victor Hugo's famous novel character. If you are a collector of rare novel and/or famous movie characters then this 19th century sculpture of Quasimodo, better known as the Hunchback of Notre Dame...

An elegant and high quality pair of French 19th century Louis XVI st. Vert de Patricia marble and Ormolu busts of a Pan and Syrinx, signed Jean Baptiste Lebroc. Each impressive bust ...

SMALL Antique French Cast Iron Cemetery Cross Crucifix Child Angel Garden Chapel. Direct from France, a beautiful antique French cast-iron cemetery cross, in a SMALL SIZE with fabul...

19th Century (Early) French Charles X Ormalu Lyre Decoration

19th Century (Early) French Charles X Ormalu Urn Decoration

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

A magnificent 19th century French Louis XVI style gilt and patinated bronze clock depicting mother and child, by Raingo Frères, Paris. The dial marked: Raingo Fres, A Paris. Circa ...

Pair of "faux marble" lacquered wooden winged angels, seated, from the 18th century, resting on two turned lacquered wooden bases of recent manufacture, total height 102 cm, base dia...

A Large 19th Century Meissen Porcelain Figure of a White Pug Mother and Child with Gilt Bells on a Blue Collar. This large model is very rare to find in this quality, condition, and...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

Hand carved wood antique statue of Mother Mary wearing a Gothic crown. This original and all hand carved sculpture of the mother of all mothers is anothe...

Finely sculpted antique marble bust of Marie Antoinette after the original sculpture by Felix Lecomte (1737-1817).

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

Pair of large terracotta busts depicting Apollo, crowned with laurel, and Diana, with a forehead surrounded by a crescent moon, from the Louis XVI period. These busts are presented ...

A Massive Pair of 19th Century French Terracotta Sculptures of Royal Sphynxes, raised on Wooden Bases. Resting on wooden bases, these impressive, superb-quality sphinxes epitomize t...

A charming and high quality French 19th century Louis XVI st. patinated Bronze, Ormolu, and Gris St. Anne marble statue. The statue is supported by four Ormolu ball feet beneath a ci...

Gilded bronze bust of Louise Brongniart by Houdon. Sculpture of a bust of Louise Brongniart by Jean-Antoine Houdon (1741-1828), reproduction of the XIXth century.     h: 23cm , w: 1...

SICILIAN MASTER OF THE 17TH CENTURY "Christ on the Cross" Wooden sculpture Christ Sculpture in carved and carved cypress wood 71 x 18 cm Height 97 good condition for the time

Sizeable crucifix with a finer quality carved corpus of Christ. Looking at Christ like this and thinking about the gruesome way in which He lost His earthly life, the crucifix (in our view) is a symbol of what 'telling people the truth' can lead to. 'The truth does not have many friends' is something I once read. Looking at what is going on in the world today, in most countries that still is the case. However, we feel that we (humans), nevertheless, are still becoming more loving, civilized, empathetic and self-conscious. Mind you, this good size wall crucifix dates from the early 1900s and the cruelties that people did to one another for acting or being different than 'normal' in those days, in most cases were far worse than what we see in this day and age. Looking at Christ on the cross with this in mind, we have come along way and we are slowly, but surely evolving in the right direction. Maybe it is just some of our 'leaders' who are lacking behind. Christ on the cross should therefor also be a reminder of someone who has lived and foreseen all this and who should therefor always be a beacon of hope and light when things are not going our way, yet. What attracted us most in this work of religious art are the quality details of His anatomy and the warm patina of this finely carved corpus. The facial features of this superb corpus of Christ reveal...

We present you this elegant and incredibly charming titled 'le baiser', translating to 'the kiss' in French. This statuette is rendered in bisque porcelain and depicts a bust of a te...

This antique, elegant early 19th Century allegoric figure composition was hand crafted in terracotta clay and placed on an oval wooden base, in good condition. Two cherubs are drapin...

19th Century, French Marble and Gilt Bronze Centerpiece This particular centerpiece was made, in white marble and finely chiseled gilded bronze, in France between the end of the eigh...