Gift of Ancient Jade Pre Columbian Figure, 1000-400 BC Human or Supernatural?

China, a rare hand carved stone male figure from the Han dynasty (206 BCE-220 CE). Dimensions: 16 inches tall on its custom stand and and 6 inches wide Condition: old patina wi...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

China, a large votive model of a stone ram, Han dynasty (206BC-220AD) Dimensions: 45cm, 18 inches high and 65cm, 26 inches length and 25cm, 10 inches wi...

A Chinese hand carved and hand painted wooden effigy of an extraordinary unicorn dating to the Song dynasty before 1279 AD. Please enjoy the beautiful remnants of its aged original swirling painted surfaces. Period: Song dynasty Dimensions: 16 inches high and 31 inches long and 4 inches deep Certificate of Age: Radiocarbon Test, GX-32990, 1223-1279 AD, 02/13/2008 (see photo of certificate) Provenance: This is from a private collection and were acquired by us along with a larger wooden horse...

A Chinese hand carved and hand painted wooden effigy of a fantastic Bixie dating to before Song dynasty 1279 AD. Please enjoy the beautiful remnants of its aged original swirling painted surfaces. It has been traditionally carved and assembled in three sections. The tail may be a later replacement. Period: Song dynasty Dimensions: 6 inches high and 15 inches wide About Bixie The “bixie” is a mythological creature commonly thought to be able to ward off evil forces with its magical powers. In fact, its name means “to ward off evil” in Chinese. In the Han dynasty, “bixie” were commonly represented as winged, four-legged beasts, a form that was probably transmitted from Western Asia. Provenance: This is from a private collection and were acquired by us along with a larger wooden horse...

China an ancient limestone figure of an Entertainer replete with hands holding tambourines and a top a drum, -for the afterlife- , Han dynasty 206 BC...

Pre-Columbian pottery figure of a seated woman giving birth, with her hands behind the back. It was most probably used by a shaman to look for the benevol...

Ancient pre-Columbian, Nayarit, Mexican, circa 100 BCE to 250 CE, hand-built ceramic pottery redware sculpture of a seated male figure with arms crossed and wearing a headdress and m...

A pre-Columbian figural vessel from West Mexico Colima culture (circa 300BC-400AD). Made of molded clay, the stoneware vessel depicts a seated hunchback...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

This lovely Chupicuaro lady wears an elaborate coiffure, large ear plugs, and a beaded jade necklace, all of which were highly prized by Chupicuaro nobility. ...

Pre Columbian Costa Rican Gold Shaman pendant for necklace Diquís Delta Area; Costa Rica, Panama A.D. 1000-1500 18 Carat; 76.15% gold Gold weight 66 grams; 42.4 penny wt. Measures: ...